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Rose Hotel

Rose Hotel’s label debut A Pawn Surrender sees singer, songwriter, and multi-instrumentalist Jordan Reynolds claiming her agency with a 10-song set of nuanced indie-rock songcraft that pulls from a palette of psychedelic shimmer and folk influence via her Southeastern roots. With a drive to pay homage to the legends of the art form, she uses the trappings of psychedelic rock not as source material, but as ornamentation, as she explores relationships, feminine rage, lust, temptation, blissful ignorance, frightening apathy, delusions, and illusions. Where 2019’s I Will Only Come When It’s a Yes presented a coming-of-age tale, A Pawn Surrender nourishes the garden of adulthood with a cohesive but genre-spanning approach that Reynolds was empowered to achieve through a chess metaphor: “I was playing a lot of chess when I wrote this album, so I started to think about these songs as if they were all different pieces on the board representing varying aspects of my songwriting, personality, and experience


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