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Matana Roberts: Always
by Mark Corroto
The saxophone is possibly the musical instrument that produces a sound closest to the human voice. Listening to a virtuoso saxophonist like Matana Roberts, one hears more than just breath through a reed instrument. Her solo recording Always, travels beyond voice, to mind, body, and spirit. Recorded in studio, without the benefit of a ...
Vicenza Jazz 2015
by Libero Farnè
Vicenza Jazz 2015 vari teatri 8 -16 maggio A differenza degli altri anni, non ha voluto affrontare temi specifici la ventesima edizione di Vicenza Jazz (8-16 maggio in vari spazi), preferendo offrire una possibile sintesi di un'esperienza ventennale di suoni, ritmi e visioni. Come ha ammesso lo stesso Riccardo Brazzale, direttore artistico ...
Joe McPhee: Solos : The Lost Tapes (1980 – 1981 – 1984)
by Mark Corroto
The young cats (players thirty years his junior) know Joe. Players who have immersed themselves in free improvisation, like Ken Vandermark, Mats Gustafsson, Peter Evans, Martin Kuchen, and Mikołaj Trzaska, learned the possibilities of creating a new music from, not thin air, but from listening. They model their approach after Joe McPhee. Born in ...
Anthony Braxton Quartet: (Santa Cruz) 1991 1st Set
by Mark Corroto
Decoding the music of Anthony Braxton might be a lifetime's mission. With his symbol system compositions and grand unification theories, even the trained ear admits to perplexity and a certain ignorance. Braxton has never stopped, nor slowed to explain himself to listeners. There are moments of insights though, in his performances. One can glean his approach ...
Matthew Shipp & Mat Walerian Duo / The Uppercut: Live At Okuden
by Mark Corroto
Jane Austen was mistaken when she wrote “Surprises are foolish things. The pleasure is not enhanced, and the inconvenience is often considerable." Passing away at the age of 41 in 1817, she would not have had the opportunity to hear either jazz, nor the music of Matthew Shipp and Mat Walerian. The surprise here ...
La persistente attualità di Tim Berne
by Libero Farnè
Negli ultimi tempi sembra che Tim Berne, sessant'anni compiuti il 16 ottobre 2014, stia vivendo una seconda giovinezza e una grande maturità creativa, che lo hanno portato anche a collaborare con vari gruppi di musicisti emergenti che si potrebbero idealmente considerare suoi allievi. Dopo essere giunto a incidere per la ECM ha raggiunto un riconoscimento ancora ...
Branford Marsalis: In My Solitude - Live at Grace Cathedral
by Angelo Leonardi
Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre “Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...
I 10 CD nel CD player di... Francesco Chiapperini
by Vincenzo Roggero
01. Charlie Haden -Liberation Music Orchestra (Impulse! -1969). Il lirismo della Liberation Orchestra di Charlie Haden e di Carla Bley racconta in maniera moderna lo spirito della guerra civile spagnola attraverso composizioni che trasudano di sofferenza, ma anche di speranza. A cucire il filo del free jazz che unisce i diversi brani del disco spiccano ...
Roscoe Mitchell Trio: Angel City
by John Sharpe
Throughout his career Chicago multi instrumentalist and composer Roscoe Mitchell has forensically examined two key polarities. More than most he has focused on the tensions between sound and silence and composition and improvisation. On Angel City, a continuous 55-minute opus recorded over two days in 2012 at Mills College in Oakland where Mitchell is professor of ...
Jack DeJohnette: Made in Chicago
by Glenn Astarita
Drummer Jack DeJohnette reunites with his longtime comrades emanating from Chicago's fabled Association for the Advancement of Creative Musicians (AACM), founded by pianist Muhal Richard Abrams in 1965. This live outing recorded at Millennium Park in 2013 was part of the Chicago Jazz Festival and signifies the musicians' inaugural performance as a quintet, paralleling the AACM's ...
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