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James Carter Organ Trio: At The Crossroads
by C. Michael Bailey
James Carter Organ Trio At the Crossroads Emarcy Records 2011 Jazz has many faces. Some are searching and expansive, like those of alto saxophonists Ornette Coleman and John Coltrane, seeking the outer edges of the music. Some are reverent and deferential, like the Modern Jazz Quartet and ...
AJ Kluth's ALDRIC: Anvils and Broken Bells
by Lawrence Peryer
While there are many interesting sounds on Anvils and Broken Bells, this release from Chicago-based improviser AJ Kluth (credited to his ensemble ALDRIC), they do not necessarily add up to an entirely compelling work. Kluth and his crew do conjure up some seductive ambiance, with their arsenal of horns, guitars and effects machines. ...
Bill Frisell: Ramping It Up
by John Kelman
It's always been a not-so-hidden truth, especially in the jazz world, that fans only get a small window into what their favorite artists are about. Artists' commercial releases--usually no more than one per year--rarely document the entirety of the various projects with which they're involved in the course of those 12 months. And when you're someone ...
Harriet Tubman: Ascension
by Mark Corroto
It has been forty-six years since John Coltrane took his expanded ensemble into a studio to record Ascension (Impulse!, 1965), and many believe the jazz world has yet to come to grips with its significance and meaning. It has only been eleven years since the power trio Harriet Tubman, expanded into the Harriet Tubman Double Trio, ...
Russ Gershon: Time Traveler, Four Million Years Later
by Ian Patterson
Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report--the last of the great '70s fusion bands--was ...
Charles Tyler Ensemble: Charles Tyler Ensemble
by Jerry D'Souza
Charles Tyler was an innovative musician who could unfurl a maelstrom of ideas from just a spark. He played with fire and spirit, finding his muse in free jazz and filling his music with bold inventions. Tyler met Albert Ayler when he was 14. He later went on to play with Ayler, whose influence can be ...
Melvin Gibbs' Elevated Entity: Ancients Speak
by Chris M. Slawecki
Bassist/composer/producer Melvin Gibbs is best-known among jazz fans for his run with the Ronald Shannon Jackson Decoding Society and among rock fans as bassist for what most devotees consider the best version of The Henry Rollins Band. Now leading his own band, Gibbs explores “the Black Atlantic continuum" that runs from Harlem and NYC in North ...
World-ly, and Otherworldly, Beats From the Inside Out
by Chris M. Slawecki
Leonardo E. M. Cioglia Contos Quizamba Music 2008 The following words probably do Brazilian bassist, composer and bandleader Leonardo E. M. Cioglia no favors, because it lays the weighty burden of expectation upon him and his group of young musicians. But no other words say precisely this: Contos showcases an ...
Sean Noonan: Being Brewed By Noon
by Jeff Dayton-Johnson
Few musicians since Miles Davis have had such a penchant for boxing as drummer Sean Noonan--the CD photos for Being Brewed by Noon show him bedecked in all the trappings of the sport, and he boxes with a pumpkin-headed monster in the video version of “Pumpkinhead Part 2" in the accompanying DVD.This new record ...
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