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Five Classic ECM Titles in High Res
by John Kelman
If ever there were a label that deserved to have its catalog released in a high resolution format, it's Munich's ECM Records. Since its inception in 1969, the multiple award-winning record label headed by producer Manfred Eicher has truly redefined how, initially, jazz and improvised music recordings could--and, at least for some, perhaps should--sound. Attention to ...
The Bad Plus: It's Hard
by Luca Canini
Bellino. Con un paio di cose decisamente riuscite. Ma che pochissimo aggiunge (e nulla toglie) a quel che i Bad Plus hanno detto, confermato e ribadito nel corso di quindici anni di più che onorata carriera. Fine della recensione. Nel senso che quel che leggerete da qui in poi potrebbe esservi utile nel caso in cui ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Jazz Stories: 2016
by Michael Ricci
All About Jazz--a longstanding internet destination for all things jazz--is a community bound by its love of the music. Since March, we've solicited jazz stories from our members asking them to answer any of a handful of questions and we wanted to recognize some of our submissions from 2016. New stories arrive daily and ...
Brasil L.I.K.E
By Ron Carter
Label: Summit Records
Released: 2016
Track listing: They Can't Take That Away From Me; There Will Never Be Another You; Night And Day; I Only Have Eyes For You; How High The Moon; Adoro O Teu Sorriso; All Of Me; Que Reste-T-Il De Nos Amours (I Wish You Love); Georgia On My Mind; Someone To Light Up My Life; Lugar Comum; Because You Make Me Dream; Saudade.
Blue Monday
Label: RP Production
Released: 2016
Track listing: Sweet Georgia Brown/Dig; True Love Remember Me; Without You/Senz’e
Te; Que Sera Sera; Under the Moon; But Not For Me; Blue Monday; back
To Black; You’ll Say Tomorrow/Perché Domani; When You Were Here; Skin
To Skin; Suo Pe’ Parla; Perché Domani.
Charles Lloyd: A Wild, Blatant Truth
by Ian Patterson
Charles Lloyd: A Wild, Blatant Truth Josef Woodard 229 Pages ISBN: 978-1-935247-13-5 Silman-James Press 2016 A book on Charles Lloyd--one of the most celebrated and enigmatic jazz musicians of the past fifty years--has been a long time coming. It's been a while in the making too, for author ...
Tania Stavreva: Rhythmic Movement
by Karl Ackermann
Pianist and New York City resident Tania Stavreva is a cross-genre trailblazer in the vein of a Stefano Battaglia. More than being at home in both classical and jazz, the Bulgarian native has found an approach that--when desired--connects elements of each form and adds her own methods, resulting in a unique hybrid. The twenty-something artist has ...
Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...
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