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Bill Frisell, Beautiful Dreamer
by Ian Patterson
Bill Frisell, Beautiful Dreamer Philip Watson 560 Pages ISBN: 978-0571361663 Faber & Faber 2022 The great guitar anti-hero Bill Frisell has dreamt of perfect music--an otherworldly blend of unimaginably beautiful sounds. It may be a just a dream, but that hasn't stopped the Denver-raised musician from constantly searching, for ...
Gui Duvignau: Baden
by Dan Bilawsky
Gui Duvignau has had Baden Powell's sound in his sights for some time now. Born in France and raised in Brazil, the rising-star bassist delved deeply into that legendary Brazilian guitarist's work at the behest of several six-stringer friends. And as he studied guitar too, Duvignau came under the sway of Powell's advanced harmonic concepts, personalized ...
Marquis Hill: New Gospel Revisited
by Chris May
Chicago-born trumpeter Marquis Hill released his first album while still in college and in 2022, just over a decade later, he has retooled it on New Gospel Revisited, recorded live in his hometown with a fresh lineup and tweaked instrumentation. It is a terrific disc. Like his near contemporary and fellow trumpeter Christian ...
Martin Wind: No Second Thoughts
by Doug Collette
Bassist/composer Martin Wind is nothing if not brave. But then any contemporary jazz instrumentalist courageous enough to so forthrightly comport himself on the instrument in the shadow of the late icons such as Charles Mingus and Jaco Pastorius would certainly have no compunctions about recording and releasing two differently conceived albums within just months of each ...
New York Bass Quartet: Air
by Pierre Giroux
Bassist Martin Wind is the real deal. Although he may not have the profile enjoyed by some of the bold-faced names in the profession such as Christian McBride, Ron Carter or Esperanza Spalding, he has built his reputation as a skilled, versatile player since emigrating to the US in 1995 to study at the NYU jazz ...
2021’s Overlooked and Underrated Gems
by Pat Youngspiel
Giovanni Guidi Ojos De Gato CAM Jazz 2021 In a year where saxophone roots-revivalist James Brandon Lewis made headlines everywhere --topping multiple year end lists for his collaboration with the Red Lily quartet on Jesup Wagon (among numerous placements in jazz publications around the globe for that album and ...
Bill Charlap: Intellect And Emotion
by R.J. DeLuke
"I don't ever remember a time when I didn't play the piano," reflects pianist Bill Charlap, who has become one of the giants of his generation on his instrument of choice, as evidenced by the array of other great players with whom he has performed. With his deft and agile approach he can summon a fiery ...
Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label
by Chris May
Between its founding in 1968 and sale in 1983, the original incarnation of the recently revived German label MPS—the initials stand for Musik Produktion Schwarzwald (Music Production Black Forest)—notched up around five hundred releases. Some were recorded in the US by American musicians, many more were recorded in Europe and featured bands made up of European ...
Masayoshi Sukita: A Higher Place
by Nenad Georgievski
Japanese photographer Masayoshi Sukita is a giant of 20th-century photography, and his contributions are immeasurable. His work ranges from documenting urban life, fashion and travel to taking celebrity portraits and film sets. Born in Nogata Shi, Japan, in 1938, his photo career began when he received his first camera as a present from his mother and ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
