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Article: Album Review

Alon Nechustan: Venture Bound

Read "Venture Bound" reviewed by Dan Bilawsky


Pianist Alon Nechustan is full of surprises. His work with Talat-- The Growl (Tzadik, 2007)--placed him in the alt klezmer jazz category, but he refused to stay put in that area. Nechustan changed gears with Words Beyond (Buckyball Records, 2011), casting aside his allegiance to Hebraic-tinged melodies so he could focus on the modern language of ...

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Article: Bailey's Bundles

Jazz Quanta March

Read "Jazz Quanta March" reviewed by C. Michael Bailey


RareNoise, chant, drunken big band...Good Lawd! Free Nelson Mandoomjazz The Shape of Doomjazz to Come/Saxophone Giganticus RareNoise 2014 You have to love RareNoise Records for inventive sonic turbulence. Add to this alto saxophonist Rebecca Sneddon sense of humor aping the title of this “double EP" ...

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Article: Extended Analysis

Hutchinson Andrew Trio: Prairie Modern

Read "Hutchinson Andrew Trio: Prairie Modern" reviewed by John Kelman


If Toronto, Montreal and Vancouver are the only places in Canada considered, in any way, as hotbeds for jazz, the prairie provinces are, with the exception of the annual Banff International Workshop in Jazz and Creative Music, pretty close to the bottom of the list of other Canadian cities that have small but aspiring jazz scenes. ...

4

Article: Album Review

Earl MacDonald and the Creative Opportunity Workshop: Mirror of the Mind

Read "Mirror of the Mind" reviewed by Bruce Lindsay


Death Defying Records, it says on the cover. A doom-laden title for a record label but any expectations of a frenzy of black metal or gangster rap are soon dispelled by the beautiful cello and piano interplay on the opening bars of the title track. Mirror Of The Mind, from pianist Earl MacDonald and the Creative ...

2

Article: Album Review

Earl MacDonald and the Creative Opportunity Workshop: Mirror of the Mind

Read "Mirror of the Mind" reviewed by Edward Blanco


Not satisfied with the traditional jazz spectrum, pianist and educator Earl MacDonald explores new ways of expressing his progressive taste and with Mirror of the Mind deciding to challenge the boundaries of jazz with a unique instrumentation and sound forged by his new band, Creative Opportunity Workshop. As Director of Jazz Studies at the University of ...

4

Article: Album Review

Matthew Sheens: Every Eight Seconds

Read "Every Eight Seconds" reviewed by Ian Patterson


Debut recordings can sometimes suffer from a little too much subservience to the jazz cannon, as musicians perhaps wish to stamp their jazz credentials from the get go, or as is the case with Australian-born, New York-based pianist Matthew Sheens' Every Eight Seconds they can announce a refreshingly personal voice. Sheen--a former student of pianists Fred ...

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Article: Album Review

Erik Charlston JazzBrasil: Essentially Hermeto

Read "Essentially Hermeto" reviewed by Matt Cibula


Erik Charlston is not shy about revealing his main influence. Not only did he title this album Essentially Hermeto after the Brazilian multi-instrumentalist/composer/mystic Hermeto Pascoal, he even starts the first track with the kind of rustling ambient sound that Pascoal loves so much. Unlike Pascoal himself, who might use that sound for a few minutes or ...

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Article: Take Five With...

Take Five With Alan Blackman

Read "Take Five With Alan Blackman" reviewed by AAJ Staff


Meet Alan Blackman: Baltimore-based pianist and award-winning composer Alan Blackman and his ensembles have performed at Blues Alley, the Kennedy Center, and many festivals and venues from San Francisco to New York. Recent performances have been with Donny McCaslin, Vardan Ovsepian, Ferenc Nemeth, Mike Pope, Warren Wolf, Tim Green, Alex Norris, and Sunna Gunnlaugs, ...

Album

Mexico Azul

Label: Sunnyside Records
Released: 2011
Track listing: Tracklist Luz De Luna Noche Criolla Azul Angelitos Negros Seguire Mi Viaje Voz Antigua (A Mi Tierra) Lamento Jarocho Que Sea Para Mi Tres Palabras Obsesión Dos Gardenia

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Article: Album Review

David Binney: Graylen Epicenter

Read "Graylen Epicenter" reviewed by Ian Patterson


Undoubtedly one of the great alto saxophonists, David Binney's reputation as an original, exciting composer has also grown steadily since his debut recording, Point Game (Owl Records, 1989). Binney is so prolific a musician that it's sometimes hard to stay abreast of his current projects. However, there is little chance of Graylen Epicenter going unnoticed. With ...


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