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Heaven & Earth: Live and in the Studio 1997-2008
by John Kelman
Yet another year, yet another characteristically detailed and chronologically contextualized King Crimson mega-box set. Except that 2019 is no typical year. And Heaven & Earth is no typical King Crimson box set. While Heaven & Earth: Live and in the Studio 1997-2008 completes (well, almost) the series of box sets documenting King ...
King Crimson: Live in Newcastle, December 8, 1972
by John Kelman
"Never say never," or so the old adage goes. When it comes to music, there are two more that should be added: “farewell tour" and, most certainly as it relates to King Crimson's Live in Newcastle, December 8, 1972, “the complete recordings." This, the 48th in the veteran group's King Crimson Collector's Club series of archival ...
Nick Grinder: Farallon
by Jerome Wilson
The striking thing about this CD by Bay Area trombonist Nick Grinder is how warm and soothing it sounds. It is not Smooth Jazz by any means, but there is a broad, melodic tone to Grinder's playing and the way he arranges the music that feels inviting and friendly. This is present even in up-tempo pieces ...
Chris Pitsiokos: Silver Bullet in the Autumn of Your Years
by Don Phipps
Adventurous, hair-raising, mind-bending, dense, fibrous, layered, hallucinogenic, twisted. These are the words that come to mind when listening to the excellent but challenging music on Chris Pitsiokos's album Silver Bullet in the Autumn of Your Years. Pitsiokos' compositions often sound like a musical transcription of the trippiest parts of William Burrough's “Naked Lunch." The result? An ...
Stephan Thelen: Fractal Guitar
by John Kelman
For his Moonjune Records debut, Stephan Thelen, USA-born/Swiss guitarist and primary composer for the post-minimalist/post-progressive band Sonar, challenges some of the foundational premises of a group that has, over almost the last decade, garnered increasing critical and popular acclaim. As informed by Robert Fripp and the guitarist's work with (and beyond) King Crimson as it is ...
Stephan Thelen: Fractal Guitar
by John Ephland
A guitar lover's delight, the Swiss Stephan Thelen's Fractal Guitar reeks of the many splendid effects the instrument can bellow, belch, intimate, cry out and sing. And all within the narrow yet liberating, pattern-based corridors Thelen's ofttimes arhythmic funkfest conjures. With nods to David Torn, Robert Fripp, Glenn Branca and even Nik Bartsch, the aesthetic creates ...
Between the Silence
By Robert Fripp
Label: Panegyric Recordings
Released: 2018
Track listing: CD1 (All Saints Church, Broad Chalke, 21 May 2009): The Apparent Chaos of Stone; In the Field of Green; Route 23 (Improv); The Offering; Blue Calm; Moonchild; Duet for the End of Time; Coda: Duet for the End of Time.
CD2 (Spiegeltent, Bath Festival, 6 June 2010): Emporium; In the Field of Green; Rotary Symmetrical; Moonchild; A Careful Distance; Blue Calm; Route 23 (Improv); Duet for the End of Time; Encore: Bath Improv.
CD3 (All Saints Church, Pittville, Cheltenham, 16 July 2010): The Power to Believe; Pastorale; Rotary Symmetrical; Dark Clouds; Blue Calm; When the Rains Fall; Duet for the End of Time.
Xavier Reija: The Sound Of The Earth
by Glenn Astarita
Spain-based artists, guitarist Dusan Jevtovic and drummer Xavi Reija, reunite for a supergroup-like endeavor, including world-renowned bassist, stick artiste Tony Levin (Stick Men, King Crimson) and touch guitarist Markus Reuter, who performs/records with Levin in Stick Men amid numerous projects with others. Recorded in upstate New York, the musicians' noise-shaping, sound-designs and bone-rattling progressive rock improvisations ...
King Crimson: Meltdown (Live in Mexico City)
by John Kelman
Something happened to King Crimson between June 28, 2017 in Chicago, IL and the band's five-night run from July 14 to 19 (with a night off on the 17th), that same year, in Mexico City. Both engagements were exceptional, with the Chicago performance captured on Official Bootleg: Live In Chicago, June 28th, 2017 (DGM Live, 2017), ...
Soft Machine: Hidden Details
by John Kelman
Following a series of releases for Moonjune Records under the moniker Soft Machine Legacy, beginning with 2005's Live in Zaandam and concluding, most recently, with 2013's Burden of Proof, this quartet consisting largely of members from the classic Canterbury group Soft Machine has finally decided to drop the “Legacy" and go it with the original name ...
