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Jakko M. Jakszyk: Secrets & Lies
by John Kelman
Life often unfolds in unexpected ways. For some, like Jakko M. Jakszyk, it has taken some truly surprising twists and turns. That the 62 year-old multi-instrumentalist, vocalist and songwriter has attained considerably greater visibility in the last ten years than in the previous 35 has, to say the least, righted a significant wrong. Which makes the ...
Chris Montague: Warmer Than Blood
by Friedrich Kunzmann
Nuanced shades of blue, red, purple and yellow flung onto canvas mingle to clashing effect on the cover of British guitarist Chris Montague's drumless trio outing Warmer Than Blood. The title of the guitarist's debut as a leader is taken from a poem by the British writer Fiona Sampson. Its disturbing imagery is matched by the ...
Markus Reuter: The Truce
by Chris M. Slawecki
Markus Reuter's first steps into music were as a pianist. But then Reuter learned to play the Chapman Stick, studied in Robert Fripp's Guitar Craft, and mastered the digital U8 Touch Guitar. The freedom of these electronic sound palettes, combined with his genuine guitar virtuosity and piano background, all give Reuter's guitar playing structure and vision ...
All About Jazz Senior Contributor John Kelman Announces New King Crimson Book
All About Jazz Senior Contributor John Kelman is pleased to announce, after nearly fifteen years associated with the website, his first book, currently in progress and expected to be released sometime next year by Panegyric Publishing. The book revolves around his vast amount of writing about King Crimson, one of the founding fathers of progressive rock ...
Places in Space, in Time
by Chris M. Slawecki
Abraham Inc. Together We Stand Table Pounding Music 2019 “Ever since I formed Klezmer Madness! in the mid 1990's I've been exploring the possibilities of adding funk, jazz, and lately hip-hop influences to klezmer," explains David Krakauer, an expert clarinet voice in jazz, klezmer and classical ...
Bill Bruford: In the Court of the Percussion King
by Mike Brannon
A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, Bruford continues to amaze and astound both audiences and the modern greats of drumming alike. Though at ...
DGM Records Launches Robert Fripp 'Music For Quiet Moments Series'
DGM Records is launching the Robert Fripp Music for Quiet Moments series. They will be releasing a soundscape every Friday on DGMLive, Youtube, Spotify, Apple Music and all the main online music platforms. Says Co-producer David Singleton, “Hopefully something that will nourish us, and help us through these uncertain times. I have certainly enjoyed the peace ...
Roberto Magris: Suite!
by Karl Ackermann
Italian pianist/composer Roberto Magris could not have anticipated the urgent need for a positive message when he recorded Suite! in 2018. The newly released double album reflects Magris' belief that a better world is coming and his certainty is conveyed in a sprawling program of poetry, original compositions, and some surprising covers. He has recorded as ...
Markus Reuter: Truce
by Mark Sullivan
German touch-guitarist Markus Reuter has been heard in a variety of contexts: with Stick Men, providing bass, lead and soundscaping as on Panamerica (MoonJune Records, 2019); and with guitarist Mark Wingfield on The Stone House (MoonJune Records, 2017) and Lighthouse (MoonJune Records, 2017). His eight-string touch guitar covers both bass and guitar ranges, often making it ...
Results for pages tagged "Robert Fripp"...
Robert Fripp
Born:
Robert Fripp was a co-founder and guitarist of the band King Crimson, whose 1969 debut album In the Court of the Crimson King is a classic of the progressive-rock genre. Through 1995 they recorded sporadically, with Fripp being the only constant in a rotating set of band members. Fripp has also recorded with Brian Eno, Peter Gabriel and The League of Crafty Guitarists. His experiments with layers and loops, dubbed "frippertronics," gave him a distinct sound and a reputation as an avant-garde rock guitarist.
