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2

Article: Multiple Reviews

NendoDango Records: Reinventing Tradition

Read "NendoDango Records: Reinventing Tradition" reviewed by Jakob Baekgaard


Argentinian jazz is in a very good state. Young musicians are gathering in collectives, trying to spread the word. They primarily use platforms such as bandcamp to release their music digitally, although physical formats are also occasionally available. Kuai Music is one of the major new players on the field, but new labels arrive all the ...

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Article: Live Review

Sarajevo Jazz Festival 2016

Read "Sarajevo Jazz Festival 2016" reviewed by Francesco Martinelli


Sarajevo Jazz Festival 2016 Sarajevo, Bosnia and Herzegovina November 2-6, 2016 When your plane lands in Sarajevo, its wheels roll over the crumbling underground tunnel that was the only connection of the city to the outside world during the Serbian siege from April 5, 1992 to February 29, 1996. It ...

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Article: Album Review

Sao Paulo Underground: Cantos Invisíveis

Read "Cantos Invisíveis" reviewed by Troy Collins


Democratically led by Chicago-based sound explorer Rob Mazurek, São Paulo Underground has been defying genre conventions and musical boundaries for almost a decade. Originally formed with percussionist Mauricio Takara and keyboardist Guilherme Granado during Mazurek's sojourn in Brazil (2000-2005), the ensemble's membership has undergone a subtle change on its fifth album with the addition of Swiss-born ...

Article: Live Review

Jazz&Wine Of Peace Festival 2016

Read "Jazz&Wine Of Peace Festival 2016" reviewed by Neri Pollastri


Jazz&Wine of Peace Festival 2016 Teatro Comunale di Cormons e varie sedi tra Collio e Slovenia Cormons, Collio, Brda 23-30.10.2016 A un passo dal ventennale, il festival Jazz&Wine Of Peace di Cormons (ma ormai la rassegna è ampiamente disseminata nel territorio circostante la cittadina, con varie puntate oltreconfine) ha attestato la ...

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Article: Live Review

Belgrade Jazz Festival 2016

Read "Belgrade Jazz Festival 2016" reviewed by Thomas Conrad


2016 Belgrade Jazz Festival Belgrade, Serbia October 26-October 30, 2016 Because of the wars in the former Yugoslavia, the Belgrade Jazz Festival, like most good things in the Balkans, went dark for 15 years after 1990. When it started up again in 2005, it was small. By 2008, it was big enough ...

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Article: Album Review

Sao Paulo Underground: Cantos Invisíveis

Read "Cantos Invisíveis" reviewed by Mark Sullivan


Cantos Invisíveis translates from Portuguese as “invisible corners/songs" or “disappearing corners/songs:" a fitting title for trans-national music that often seems to come from everywhere at once. The international trio's electro-acoustic sound blends music from North and South America, Africa and Asia, including stylistic references from traditional folk, modern jazz, rock and electronica. It's a dense, communal ...

Article: Album Review

Sao Paulo Underground: Cantos Invisiveis

Read "Cantos Invisiveis" reviewed by Vincenzo Roggero


Suoni da galassie lontane, scie cosmiche che trasportano in altri mondi, sfrigolii di elettroni che invadono lo spazio fisico, riti sciamanici e nenie incantatorie, suggestioni tribali e distorsioni industriali. Una giungla intricata di sonorità acustiche ed elettroniche nella quale scrittura e improvvisazione sfumano i contorni per trasformarsi in visione. È il nuovo mondo creato da Rob ...

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Article: Album Review

Mark Dresser Seven: Sedimental You

Read "Sedimental You" reviewed by Karl Ackermann


In the early stages of his career, bassist/composer Mark Dresser was working with the likes of Anthony Braxton, Marilyn Crispell, and Gerry Hemingway. His long track record of working in composition and improvisation has made him one of the most respected artists in creative music. On Sedimental You, Dresser surrounds himself with a top tier ensemble ...

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Article: Under the Radar

An Evil Clown and a Leap of Faith

Read "An Evil Clown and a Leap of Faith" reviewed by Karl Ackermann


"I don't have a half-speed for music, if I do it, I'm all in..."--PEK If the Evil Clown record label is prolific on a per capita basis, then its founder is exponentially more inexhaustible. David Peck (aka PEK) founded the label--at first, unbranded--and its roots date back a little more than twenty years ...

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Article: Album Review

Rova Channeling Coltrane: Electric Ascension

Read "Electric Ascension" reviewed by John Sharpe


John Coltrane's Ascension (Impulse, 1965) stands as a seminal moment in the development of modern jazz, presenting structured large group improvisation which renounced both the form and content of almost all previous models. It was never performed live, and this was one of the facts which initially captured the attention of the now venerable ROVA Saxophone ...


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