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184

News: Recording

Recent Listening: Kurt Rosenwinkel

Recent Listening: Kurt Rosenwinkel

Kurt Rosenwinkel, Reflections (Wommusic). From his first recordings in the 1990s, Rosenwinkel's guitar playing has had an element of pensiveness. Regardless of tempo, complexity or adrenalin-fueled collaborators, he radiates the air of a man who won't hurry through even his most complex improvisations. Rosenwinkel's assurance and thoughtfulness are consistent in this set of standards, jazz classics ...

132

News: Recording

Recent Listening: Dick Katz (RIP)

Recent Listening: Dick Katz (RIP)

Dick Katz, The Line Forms Here (Reservoir). The news of Katz's death at 85 last week sent me to the shelf for this 1996 recording. It covers the range of his talents as pianist, composer and arranger. He plays alone in a moving performance of Duke Ellington's “Lotus Blossom," in a trio supported by bassist Steve ...

165

News: Recording

Recent Listening: John Hollenbeck

Recent Listening: John Hollenbeck

John Hollenbeck Large Ensemble, Eternal Interlude (Sunnyside). The ensemble is Large, all right, in the size of the band -- 20 pieces -- and in the expansiveness of Hollenbeck's vision. He is a composer who moves into, out of and beyond established categories of musical thinking and a drummer who brilliantly meets the challenges he sets ...

133

News: Recording

Recent Listening: Linda Oh

Recent Listening: Linda Oh

Linda Oh, Entry (Linda Oh Music). Oh is a 25-year-old Chinese from Malaysia who grew up in Australia, plays bass and has a Masters degree from the Manhattan School of Music. Her music, as eclectic as she, eludes classification except as fresh and uncompromising. She achieves remarkable unity using spare instrumentation, nicely crafted compositions and sidemen ...

138

News: Event

An Eddie Higgins Jam Session

An Eddie Higgins Jam Session

Because of the high volume of comments Rifftides received following our piece on the death of pianist Eddie Higgins, the staff thought there might be widespread interest in a memorial concert. We bring you the announcement as it arrived by e-mail from Florida. This will give you time to make plans to fly in from, say, ...

115

News: Obituary

Stacy Rowles, 1955-2009

Stacy Rowles, 1955-2009

Family members and friends are planning a memorial service for Stacy Rowles. No date has been set. The trumpeter and singer died at home in Burbank, California, on October 27 of injuries from an automobile accident two weeks earlier. She was 54. The daughter of pianist Jimmy Rowles, she studied piano for a time. Despite her ...

164

News: Interview

Listen to the Bass Player: Part 6, Scott Lafaro

Listen to the Bass Player: Part 6, Scott Lafaro

The Rifftides series of posts on improving hearing by listening to bass lines leads inevitably to Scott LaFaro. It was less LaFaro's virtuosity that made a difference in the role of the bass than the uncanny group thinking and interaction he made possible in the Bill Evans Trio. LaFaro was what Evans had been looking for, ...

188

News: Interview

Listen to the Bass Player: Part 5, Red Mitchell

Listen to the Bass Player: Part 5, Red Mitchell

In the first paragraph of Part 3 of this series, it was not by random choice that I included Red Mitchell's name in the short list of important bassists who emerged in the 1940s. He discovered ways of playing the instrument that made a difference in the bass's role in jazz. Bill Crow, the hero of ...

135

News: Interview

Listen to the Bass Player: Part 4, Paul Chambers

Listen to the Bass Player: Part 4, Paul Chambers

For the new segment of our adventure in letting bassists be our guides, author, critic and sometime Rifftides commentator Larry Kart has a fine idea. May I suggest, for Part 4, Paul Chambers behind Miles Davis, John Coltrane, Wynton Kelly and Jimmy Cobb on “So What." Like Heath and LaFaro in their various ways, where Chambers ...

159

News: Interview

Listen to the Bass Player: Part 3, Bill Crow

Listen to the Bass Player: Part 3, Bill Crow

As you may recall from parts 1 and 2, our theme in this series is that by concentrating on the lines played by a good string bassist, you can gain an understanding of the shape and structure of a piece of music, feel its heartbeat, sense its soul. Duke Ellington's Jimmy Blanton in the early 1940s ...


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