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936

Article: Record Label Profile

SteepleChase Records

Read "SteepleChase Records" reviewed by Riel Lazarus


It seems that at the core of all independent jazz record labels, one finds an avid enthusiast aspiring, reaching, clinging at the opportunity to give back a small slice of the music they hold so dear. More often than not, the challenges prove too great for the individual to transcend, and the label folds. But sometimes--with ...

519

Article: Profile

Bassist John Ore

Read "Bassist John Ore" reviewed by Riel Lazarus


In days long passed, when the New York jazz scene resembled the open range, musicians played long and hard for next to nothing - a pittance. Young artists would patiently take their lumps at jam sessions, in an attempt to hone their blooming skills and maybe, just maybe, be plucked by a reputable bandleader.

176

Article: Album Review

Junior Mance: Music of Thelonious Monk

Read "Music of Thelonious Monk" reviewed by Riel Lazarus


In November of 2000 aboard a ship adrift on the Atlantic Ocean, reedman Joe Temperley joined pianist Junior Mance's Floating Jazz Festival Trio in what proved to be a perfect setting for a tribute to the music of Thelonious Monk. Like Monk, the waters beneath them were capable of powerful swings and torrents, and also like ...

162

Article: Album Review

Milt Hinton: The Basement Tapes

Read "The Basement Tapes" reviewed by Riel Lazarus


In recent years, much of the attention given to late bass great Milt Hinton's career and legacy has been directed at his prowess as a jazz photographer. Nevertheless, we must not forget that behind those extraordinary photographs was an equally extraordinary musician. With Chiaroscuro's recent release of The Basement Tapes, jazz fans will find a welcome ...

170

Article: Album Review

Barry Harris: Live in New York

Read "Live in New York" reviewed by Riel Lazarus


Live jazz recordings are a curious sort of creature. Sometimes they capture the energy of spontaneous creation so fundamental to the jazz idiom, while at other times they unwittingly detach the music from the atmosphere which inspired it. In the case of legendary pianist Barry Harris' recent release, Live in New York, jazz fans will be ...

179

Article: Album Review

Ted Nash: Still Evolved

Read "Still Evolved" reviewed by Riel Lazarus


Multi-reedist Ted Nash is a man of many masks. Some days he poses as a featured soloist in the Lincoln Center Jazz Orchestra (LCJO) and others he spends as a scribe-in-residence for the Jazz Composers Collective (JCC). At times he wields a robust, full-bodied tenor, while at others he brandishes a fluttering clarinet. Whatever the case, ...

136

Article: Album Review

Mike Clark: Summertime

Read "Summertime" reviewed by Riel Lazarus


It's safe to say that drummer Mike Clark is most commonly associated with funk. Since his days as a member of Herbie Hancock's legendary Headhunters, Clark has been considered one of the foremost trapsmen of the genre. But funk is only a small part of what this veteran artist is capable of, and Summertime may finally ...

182

Article: Album Review

Eric T. Johnson: Herbie Nichols, Vol. 1

Read "Herbie Nichols, Vol. 1" reviewed by Riel Lazarus


Some four decades after his untimely death, appreciation for Herbie Nichols' unique musical gifts has at last reached an audible pitch. With tributes by Roswell Rudd, the Herbie Nichols Project and a sparse-load of others already in the can, guitarist Eric T. Johnson jumps into the fray with his newest release. As those ...

152

Article: Album Review

Sylvia Cuenca: Exit 13

Read "Exit 13" reviewed by Riel Lazarus


Since the organ-drums-guitar trio first came to prominence in the early ‘60s, many have tried and failed to recreate the impassioned, groove-laden drive of its most celebrated practitioners. Exit 13, the newest release by drummer Sylvia Cuenca, represents another such attempt, though, unlike so many before them, the trio here walks away with a measured yet ...

189

Article: Album Review

Kenny Garrett: Standard of Language

Read "Standard of Language" reviewed by Riel Lazarus


The glowing reviews have already begun to pour in for saxophonist Kenny Garrett's newest release, Standard of Language - a recording of substantial quality, and a reaffirmation of Garrett's place among the best in jazz today. But as good as Garrett may be, it's the collective power of the ensemble that's most significant here. With pianist ...


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