Home » Search Center » Results: Richie Beirach

Results for "Richie Beirach"

Article: Interview

David Berkman: Anecdotes

by George Colligan
October 15, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] David Berkman is a jazz pianist who in the past few decades has played with many of the major names in jazz, including Tom Harrell, Cecil McBee, and the Vanguard Orchestra. He has released a number of CDs on the Palmetto ...

Article: Take Five With...

Take Five With Laurie Antonioli

by AAJ Staff
October 15, 2013

Meet Laurie Antonioli: Whether interpreting American songbook standards, reinventing traditional American songs, or introducing contemporary melodies made vivid with her original lyrics, Antonioli brings her inclusive musical intelligence to bear on every tune. The result is a gorgeous tapestry woven from the raw materials of jazz, folk, country music, Balkan melodies and harmonies, and a ...

Article: Album Review

John Abercrombie Quartet: 39 Steps

by Andrew Luhn
October 14, 2013

Guitarist John Abercrombie has had a long and successful association with ECM records and for his latest release, 39 Steps, he completes his quartet with a piano. Abercombie had success with this format in the 1970s with Richie Beirach, George Mraz, and Peter Donald, but in the past 10 years his ECM releases have been more ...

Article: Extended Analysis

39 Steps

by John Kelman
October 8, 2013

John Abercrombie has rarely played with pianists, at least in his own groups and throughout his extensive discography as a leader for ECM Records that began with the immediate classic, 1975's Timeless. Other than a brief reunion with that record's group for 1984's Night, the veteran guitarist has, in fact, only recorded with one other piano-based ...

Article: Interview

Kerry Politzer: Voice And Voicings

by George Colligan
September 9, 2013

The following interview is reprinted from George Colligan's blog, Jazztruth. Kerry Politzer is one of my favorite musicians, period. (Yeah, she's my wife, you gotta problem wit dat? No, I see the potential conflict of interest, but hey, it's all about who you know, right?) Seriously, Politzer is one of the most ...

Article: Live Review

Molde International Jazz Festival 2013

by John Kelman
July 29, 2013

Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...

Article: Live Review

2013 Montreal Jazz Festival: June 28-July 2, 2013

by John Kelman
July 11, 2013

Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...

Article: Extended Analysis

Edward Simon Trio: Live in New York at Jazz Standard

by John Kelman
May 17, 2013

Some artists maintain a busy release schedule, putting out an album a year--sometimes, in the case of musicians like guitarist Bill Frisell, even more frequently--while others, for a variety of reasons, are less prolific. Pianist Edward Simon has, in recent years, been issuing albums with broader distribution under his own name--which automatically discounts 2010's independently released ...

Article: Live From New York

Alash, Skye, and Quest

by Martin Longley
March 5, 2013

Alash Carnegie Hall February 16, 2013 Carnegie Hall's late-night weekend series of shows always have a livelier atmosphere than their earlier 8:00 p.m. concerts. Typically a gig will begin down in the subterranean Zankel Hall at 10:00 p.m., continuing until almost midnight. It always seems as if the audience ...

Article: Interview

Conrad Herwig: There's Nothing Else

by Bob Kenselaar
February 25, 2013

Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...