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6

Article: Extended Analysis

Rich Halley: Crossing The Passes

Read "Rich Halley: Crossing The Passes" reviewed by Dave Wayne


In the popular media, jazz is seen as a completely urban phenomenon. There's plenty of precedent for this. It's not worth going into here. But the mere mention of the word “jazz" evokes images of neon- illuminated city streets, ice cubes tinkling in rock glasses, lit cigarettes, and bustling nightlife. For some, though, jazz is not ...

Article: Album Review

Rich Halley 4: Crossing the Passes

Read "Crossing the Passes" reviewed by AAJ Italy Staff


A trent'anni esatti dal primo album a suo nome, l'oggi sessantacinquenne tenorsassofonista (e ottimo compositore: ce lo dimostra questo lavoro) di Portland che risponde al nome di Rich Halley, segnato in gioventù dall'esperienza dell'AACM e poi attivo fra gli altri accanto a Vinny Golia, mette in luce alla testa di questo rodatissimo quartetto doti che farebbe ...

4

Article: We Travel the Spaceways

Art Strike!

Read "Art Strike!" reviewed by Mark Corroto


"Would you support an art strike?" That's the question I've been asking musicians for the past few months. “Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to “make, exhibit, distribute, sell, or discuss their work" for three ...

4

Article: Album Review

Rich Halley 4: Crossing the Passes

Read "Crossing the Passes" reviewed by Hrayr Attarian


Saxophonist Rich Halley has always had a thick, brassy tone and a bold and daring improvisational approach. Over the years a certain contemplative wisdom has permeated his music enhancing its intellectual edge without tempering its fiery zeal. The result, as demonstrated on Crossing The Passes is a sublime balance of the cerebral and visceral.On ...

3

Article: Album Review

Rich Halley 4: Crossing the Passes

Read "Crossing the Passes" reviewed by Dan McClenaghan


Tenor saxophonist Rich Halley kicked his recording career into high gear in 2001 with the flammable Coyotes in the City (Louie Records, 2001), a chunk of free jazz ferocious enough to scare off the feeble and the weak of heart. In a succession of CDs since then--a total of four at Louie Records before switching to ...

5

Article: Album Review

Verneri Pohjola & Black Motor: Rubidium

Read "Rubidium" reviewed by Dan McClenaghan


Just going by the name, for those unfamiliar with the thriving Scandinavian jazz scene, a group calling itself Black Motor might be mistaken for a heavy metal rock band--a smash-and-crash set of drums, a blasting three-chord guitar and a wall-shaking bass wrapped around bellowed lyrics. But the real Black Motor, a drums/bass/saxophone outfit--joined on Rubidium by ...

Album

Back From Beyond

Label: Pine Eagle Records
Released: 2012
Track listing: Spuds; Section Three; Reorbiting--for Sun Ra; Solanum; Opacity; Continental Drift; Broken Ground; The Mountain's Edge; Basalt; Back From Beyond.

Song of the Day

Spuds

Album:
By
Label: Pine Eagle Records
Released: 2012
Duration: 7:52

2

Article: Album Review

Rich Halley: Back From Beyond

Read "Back From Beyond" reviewed by Hrayr Attarian


Over a half a century after saxophonist Ornette Coleman launched the free jazz movement the genre is going strong thanks to such individualistic practitioners as tenor saxophonist Rich Halley. Halley's sound has matured and crystallized over the course of dozen or so albums, all critically acclaimed. On his fourteenth release as a leader, ...

4

Article: Album Review

Rich Halley: Back From Beyond

Read "Back From Beyond" reviewed by Bruce Lindsay


The arrival of a new album by saxophonist and field biologist Rich Halley reliably signals a few good things: inventive composition and improvisation; tight, powerful, playing; driving grooves; a sense of humor...and squeak toys. Back From Beyond, credited to the Rich Halley 4, keeps up the pattern.Based in Portland, Oregon, Halley's extensive discography dates ...


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