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Red Norvo
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Red Norvo was one of jazz's early vibraphonists. He helped establish the xylophone and later the vibraphone as viable jazz instruments. Norvo was born Kenneth Norville in Beardstown, Illinois. The story goes that he sold his pet pony to help pay for his first marimba. Norvo's career began in Chicago with a band called "The Collegians", in 1925. He played with many other bands, including an all-marimba band on the vaudeville circuit, and the bands of Paul Whiteman, Benny Goodman, Charlie Barnet, and Woody Herman. Norvo recorded with Mildred Bailey (his wife), Billie Holiday, Dinah Shore and Frank Sinatra, among others
Eldad Tarmu: Tarmu Jazz Quartet
by Jack Bowers
The vibraphone is not often heard on the jazz scene these days, which makes this new album by the Tarmu Jazz Quartet even more welcome than it might have been at a time when Red Norvo, Lionel Hampton, Terry Gibbs, Milt Jackson, Cal Tjader, Gary Burton, Bobby Hutcherson, Gary McFarland and their ilk were riding high. ...
Good Vibes
by Jerome Wilson
Vibraphone players have never been as plentiful in jazz as trumpeters or saxophonists but there have been several notable ones over the years, going from Red Norvo and Milt Jackson in the past to Joel Ross and Patricia Brennan today. Here are a pair of recent albums that feature other active vibes players. Roberto ...
Bayard, Hulett, Lomax: Trio Plays Mingus
by Karl Ackermann
In the year that would have been Charles Mingus' one-hundredth birthday, there is no shortage of reissues, tribute albums, and previously unreleased sessions such as The Lost Album from Ronnie Scott's (Resonance Records, 2022). But for drummer & composer Mark Lomax, the musical legacy of Mingus has special meaning. His Trio Plays Mingus gives new life ...
Unscientific Italians: Frisellian Magic
by Ludovico Granvassu
If Italian film director Nanni Moretti had been born in 1973 instead of 1953, he might well have set the iconic Vespa ride through the empty streets of a languid, mid-August Rome in Caro Diario against a Bill Frisell rather than a Keith Jarrett soundtrack. Because if every era is defined by a limited ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Eddie Sauter: A Wider Focus
by Chris May
For many people, composer and arranger Eddie Sauter's reputation begins and ends with Stan Getz's Focus (Verve, 1962). The album is, indeed, a masterpiece. But it is only one of the pinnacles of Sauter's career, which started during the swing era. Nor is Focus Sauter's only collaboration with Getz. The partnership continued with the less widely ...
Michael Cuscuna: In The Vault Playing God
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...
Jazz Lines: Free Verse in the Key of Jazz Both Erudite and Playful by Gloria Krolak
Jazz Lines: Free Verse in the Key of JazzGloria Krolak 96 PagesISBN 978-1-938417-53-5Lydia Inglett Starbooks Publishing2019 Jazz Lines: Free Verse in the Key of Jazz, is a unique, beautifully assembled coffee table book by longtime radio host, jazz columnist and distinguished patron of the arts, Gloria Krolak. The book features a ...
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