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Ornette Coleman: The Missing Years, 1968-1972
by Eric Miller
Among Ornette Coleman's periods of relative quiet, the turn of the 1960s into the 1970s may well be the most frustrating. More than three years of musical life--from the final Blue Note sessions of April-May 1968 to the release of Science Fiction on Columbia in 1972--remain shrouded in mystery and obscurity. Every recording made under Coleman's ...
Ella and Basie!
by Thomas Carroll
In July 1963, singer Ella Fitzgerald and pianist Count Basie's orchestra entered the studio for their first full-length recording session as a collective. They produced a gem for both veteran jazz fans and novices. The album features both artists in top swinging form and it is concise enough to serve as an introduction to those just ...
Charles Lloyd Quartet: Love-In
by Chris May
Charles Lloyd QuartetLove-InAtlantic1967 Four-and-a-half decades after the event, saxophonist Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone ...
Clifford Brown: With Strings
by Chris May
Clifford BrownWith StringsEmarcy1955 Recordings setting soloists alongside string ensembles were not a staple of the bop years, but, when trumpeter Clifford Brown recorded With Strings, he had two illustrious predecessors. In 1946, trumpeter Dizzy Gillespie recorded four Jerome Kern standards with an ensemble arranged by Johnny Richards. ...
Dave Brubeck Quartet: Time Out
by Chris May
Dave Brubeck QuartetTime OutColumbia1959 As the authors of The Penguin Guide to Jazz Recordings (Penguin, 1992-2008) observed, pianist Dave Brubeck's Time Out has become so familiar that “no one actually hears what's going on anymore." The album is one of two masterpieces made in ...
Pharoah Sanders: Thembi
by Chris May
Pharoah SandersThembiImpulse!1971 It is strange that two of the most striking albums made by saxophonist Pharoah Sanders during the first flush of late 1960s/early 1970s astral jazz have been so often overlooked in reissue series. Tauhid (Impulse!, 1967)--the recording which launched astral jazz, the style Sanders fashioned ...
Antonio Carlos Jobim: Wave
by Chris May
Antonio Carlos JobimWaveCTI/A&M1967 Singer, guitarist, pianist and--above all--composer Antonio Carlos Jobim was among the first artists to be signed by producer Creed Taylor when he set up CTI Records in 1967. The Brazilian, who helped launch bossa nova internationally when his tune “Desafinado" became a Top 10 ...
Horace Silver: Song For My Father
by Greg Simmons
Horace Silver Song For My Father Blue Note Records 1963 The nice thing about reissuing classic, fifty year-old records is the benefit of hindsight; delving into a well-established catalog that's been lauded for decades helps ensure that every release will be desirable. The classic Blue Note Records catalog of the ...
John Coltrane: Kulu Sé Mama
by Chris May
John Coltrane Kulu Sé Mama Impulse!1967 It is rare to find Kulu Sé Mama on somebody's desert-island list of recordings by saxophonist John Coltrane. Why, is a mystery. Despite the brooding intensity of the cover photo, the performances are accessible and delightful, and, as an artifact, although ...
Pharoah Sanders, Hamid Drake, Adam Rudolph: Spirits
by Chris May
Pharoah Sanders, Hamid Drake, Adam RudolphSpiritsMeta2000 Following the death of saxophonist John Coltrane in 1967, two of his band members, pianist/harpist Alice Coltrane and saxophonist Pharoah Sanders, aligned themselves to fashion--separately and together--music which became known as “astral jazz." The style foregrounded the African and Asian song forms, ...
