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Rasmus Ehlers

After 7 years, pianist Rasmus Ehlers, is finally back with the follow-up to his debut from 2002. Trinity is a quiet, thoughtfull and intense trio-album, recorded with two of the people that mean the most to him. Since Rasmus Ehlers (b. 1971) has stayed and played in New York for longer periods. Furthermore, he has toured in a.o. France and Japan, and haz played with a series of great jazzers, a.o. Leroy Jones, Marc Mommas, Bob Mintzer and Bent Jädig. In 2007 he recieved the Sonning Grant, given to young musicians in Denmark and the North. Rasmus didn't get his musicality from strangers. His father, Poul Ehlers played with greats such as Dexter Gordon and Yusuf Lateef, founded the cult-group ”Blue Sun” and was voted Danish Jazzmusician of the Year in 1970

ARTICLE: ALBUM REVIEWS

Jacob Roved Quintet: Remembering Billy Strayhorn

Read "Remembering Billy Strayhorn" reviewed by Jakob Baekgaard

Rock music has its fair share of musical collaborations, among others, the partnership between John Lennon and Paul McCartney of The Beatles. Jazz, however, also has its own canon of collaborators and at the top of the list is the duo of Duke Ellington and Billy Strayhorn. No one disputes the groundbreaking role ...

As Played by Ear

Label: Your Favourite Jazz
Released: 2010
Track listing: As Played by Ear; Soul Eyes; Hey, Open Up; First Prayer.

ARTICLE: ALBUM REVIEWS

Rasmus Ehlers featuring George Garzone: As Played by Ear

Read "As Played by Ear" reviewed by Jakob Baekgaard

There are certain constellations which seem to bring out the best in an already accomplished musician. Just think of the great rhythm sections of Art Pepper, John Coltrane and Miles Davis, and it's evident that individual mastery isn't all that is required to make magic. A superior sense of group interplay is also needed to aspire ...

ARTICLE: LIVE REVIEWS

Copenhagen Jazz Festival 2010

Read "Copenhagen Jazz Festival 2010" reviewed by Jakob Baekgaard

Copenhagen Jazz FestivalVarious VenuesCopenhagen, DenmarkJuly 2-11, 2010 With the current crisis of the major record labels and the folding of venues all over the world, it could be argued that jazz, as an art form, has entered the age of survival where it is simply a basic matter of keeping ...

ARTICLE: RECORD LABEL PROFILES

Your Favourite Jazz Records: No Rules in Jazz

Read "Your Favourite Jazz Records: No Rules in Jazz" reviewed by Jakob Baekgaard

In the late 2000s, Danish jazz is experiencing something of a renaissance. The fertile milieu around Copenhagen's Rhythmic Music Conservatory has helped to create a network of connections that is making it possible for musicians to control their art and release their music on self-owned labels. A perfect example of this new movement is the small ...


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