Results for "Randy Ingram"

Randy Ingram

The Road Ahead is the first recorded offering from pianist Randy Ingram,  which was recently released to rave reviews on Brooklyn Jazz Underground Records.  Ingram is an “incredible pianist"  (composer George Russell), composer and improviser with boundless talent, and the wisdom to use it to the listener’s benefit.  Many players have chops to spare; Ingram’s are laced with an expressive touch and a keen imagination. Originally from Laguna Beach, CA, and a recipient of the 2007 ASCAP Young Jazz Composer's award, Ingram has received scholarships to the University of Southern California (where he apprenticed with Tierney Sutton, Joe LaBarbera and the great Billy Higgins), and the New England Conservatory, where he studied with his two mentors, Fred Hersch and Danilo Perez, and received his Masters.  Ingram moved to Brooklyn in the Fall of 2003 and has since become a much in demand sideman and a creative force on the scene, working with Ben Monder, Joel Frahm, Joe Locke, Mike Moreno, Kendrick Scott and many others

Urban(e)

By MIKE FAHIE

Label: Greenleaf Music
Released: 2021
Track listing: Prelude, Op. 28 no. 20; Nessun Dorma; Excerpts from The Firebird; La Fille aux Cheveux de Lin from Preludes, Book 1; String Quartet No. 1, III. Allegro vivace; Symphony No. 6, II. Allegro con grazia; “Seufzer, Tranen, Kummer, Not” from Cantata, BWV 21.

URBAN(E)

By MIKE FAHIE

Label: Greenleaf Music
Released: 2020
Track listing: Prélude, Op. 28 no. 20; "Nessun Dorma" from Turandot; Excerpts from ; La fille aux cheveux de lin from Préludes, Book 1; String Quartet No. 1, III. Allegro vivace; Symphony No. 6, II. congrazia; "Seufzer, Tränen, Kummer, Not" from Cantata, BWV 21.

Urban(e)

By MIKE FAHIE

Label: Greenleaf Music
Released: 2020
Track listing: Prélude, Op. 28 no. 20; "Nessun Dorma" from Turandot; Excerpts from ; La fille aux cheveux de lin from Préludes, Book 1; String Quartet No. 1, III. Allegro vivace; Symphony No. 6, II. congrazia; "Seufzer, Tränen, Kummer, Not" from Cantata, BWV 21.

Mike Fahie Jazz Orchestra: URBAN(E)

By DAN BILAWSKY

There's a rocky history surrounding jazz-classical hybrids. But, in truth, that has little to do with any potential incompatibility. Instead, it's usually misguided maneuvering and/or an excessive show of dominant traits from one side or the other that mars said unions. When done right a wedding of those worlds can truly birth brilliance. Just listen to ...

Mike Fahie Jazz Orchestra: Urban(e)

By JACK BOWERS

Most Western music, irrespective of its origin and premise, inhabits the same harmonic, chordal and rhythmic universe. So it should not be surprising that classical music, in the hands of a skilled arranger, can be readily recast in a jazz idiom, even one that is housed within a big-band framework. On Urban(e), trombonist Mike Fahie's New ...

Aubrey Johnson: Unraveled

By C. MICHAEL BAILEY

What does it take to move music from the strictly aural to revealing the more tactile elements like texture and consistency? Vocal artist, composer and arranger Aubrey Johnson, with her scoring hat on, demonstrates that intelligent instrument choice and subtle arrangement of notes in time coupled with sensitive sound engineering can produce music with a palpable ...

John Yao Quintet: Presence

By DAN BILAWSKY

As human beings we tend to take the very notion of presence for granted, be it the presence of a loved one in our lives, the presence manufactured by our own actions as we present ourselves to the world, or the presence of all that comes and goes in our daily existence. For some reason these ...

Duos – Patrice Williamson/Jon Wheatley; Bill Brovold/Jamie Saft; Randy Ingram/Drew Gress; Eraldo Bernocchi/Prakash Sontakke; Cathy Segal-Garcia

By C. MICHAEL BAILEY

The duet performance format is pretty naked. There is little place to hide for the two instrumentalists taking part in the delicate discourse that is making music. The following are five approaches trying to make the cut of creativity. Patrice Williamson & Jon Wheatley Comes Love: A Tribute to Ella Fitzgerald and Joe ...

440 Keys: A Batch of Piano Delights

By GENO THACKARA

It's always a pleasure to be reminded what a range of sounds just one instrument can produce. The same 88 keys can be used in endlessly different ways in different inventive hands, and this batch of recordings has several masterful performers taking that starting point toward quite eclectic ends. Dag Arnesen Trio Pentagon ...