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Album

I Went This Way

Label: 577 Records
Released: 2020
Track listing: Start; Matched Up; Syncope; For Pauline; A Note.

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Article: Radio & Podcasts

Ben Goldberg, Jason Robinson, Orchestre National De Jazz and More

Read "Ben Goldberg, Jason Robinson, Orchestre National De Jazz and More" reviewed by Maurice Hogue


This episode is a little “reed" heavy with debuts of new recordings by Jason Robinson and his quartet, Ben Goldberg and Kenny Wollesen's Music for an Avant-Garde Massage Parlor, Portugal's José Lencastre, Rachel Musson from England, and I.P.A. from Scandinavia, plus several other saxophonically inclined folks. The Orchestre National De Jazz from France tackles the music ...

3

Article: Album Review

Rachel Musson: I Went This Way

Read "I Went This Way" reviewed by Mike Jurkovic


Let's agree that, by a consensus of one, Debbie Sanders recital of saxophonist Rachel Musson's thought-through and through-read play-by- metaphoric-play/lecture on improvisation gets annoying as all hell so quickly that one may find oneself searching madly for a bonus instrumental version. But the music on saxophonist Musson's I Went This Way is an ambitious, teasingly ambiguous ...

Results for pages tagged "Rachel Musson"...

Musician

Rachel Musson

3

Article: Radio & Podcasts

Brandon Robertson and The Quiet Temple

Read "Brandon Robertson and The Quiet Temple" reviewed by Bob Osborne


This week new releases from Brandon Robertson and The Quiet Temple are featured there's also a host of recent albums with a mix of jazz and free improvisation..... Playlist Brandon Robertson “Stablemates" from Bass'd On A True Story (Slammin Media) 00:00 Pat Thomas, John Butcher, Ståle Liavik Solberg “The Solution" from Fictional Souvenirs (Astral Spirits) 07:34 ...

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Article: Album Review

Somersaults: Numerology Of Birdsong

Read "Numerology Of Birdsong" reviewed by John Sharpe


Without fanfare, the rhythm section of bassist Olie Brice and drummer Mark Sanders has become one of the UK's premier engine-rooms for free improvisation. That's borne out by association with not only the great reedman Tobias Delius, perhaps best known for his tenure in the ICP Orchestra, but also players as diverse as Polish reedman Mikolaj ...

1

Article: Radio & Podcasts

Milton Man Gogh, Rachel Musson Curtis Nowosad & More

Read "Milton Man Gogh, Rachel Musson Curtis Nowosad & More" reviewed by Maurice Hogue


Trios and quartets dominate this episode: three-quarters of the playlist are from groups of that size. Featured is German saxophonist Philipp Gropper and his quartet Philm with music from his new album Consequences. Another quartet heard for the first time is Ornicar from France, and OGJB is back. Of the threesomes, first timers are Gentiane MG ...

2

Article: Album Review

Federico Ughi: Transoceanico

Read "Transoceanico" reviewed by Patrick Burnette


Dozens of jazz albums modeled on trumpeter Miles Davis's Miles Smiles (Columbia, 1966) or saxophonist John Coltrane's Crescent (Impulse!, 1964) get released each year, but a record reminiscent of Albert Ayler's Spiritual Unity (ESP-Disc, 1964) is less common. Drummer Federico Ughi's Transoceanico nods vigorously in Ayler's direction, even as it marks Ughi's twentieth anniversary as a ...

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Article: Multiple Reviews

Evan Parker and Paul G. Smyth on Weekertoft

Read "Evan Parker and Paul G. Smyth on Weekertoft" reviewed by John Eyles


In 2016, English guitarist John Russell and Irish pianist Paul G. Smyth set up the independent Weekertoft label to release music they had been involved in, including recordings made at Russell's longstanding monthly Mopomoso concert series or annual Fete Quaqua festival. As the label reached its third anniversary, its catalogue was dominated by two large sets--the ...

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Article: Album Review

Riverloam Trio: Live At The Alchemia

Read "Live At The Alchemia" reviewed by John Sharpe


Recorded at Krakow's legendary jazz club, Live At The Alchemia constitutes the third outing from what has become a perfectly-balanced unit, following the eponymous Riverloam Trio (NoBusiness, 2012) and Inem Gortn (FMR, 2014). Although, traditionally, Polish reedman Mikolaj Trzaska might be seen as the apex of a musical pyramid, supported by the solid foundation provided by ...


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