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Julie Tippetts: Didn't You Used To Be Julie Driscoll?
by Duncan Heining
The respect in which Julie Tippetts is held by her fellow musicians and fans is truly heartening--and truly deserved. Back in the late sixties, then Julie Driscoll, she gave up a very different career trajectory in music, one that had begun with Steampacket and continued with Brian Auger & The Trinity, to follow a journey characterised ...
Improvised Music Company: Orbital Pathways, Gravitational Pull
by Ian Patterson
Arguably some of the most dramatic changes in jazz have taken place in the last quarter of its century-long history: the emergence of a strong European jazz identity/identities; technological advances that empower individuals to become their own producers; Youtube, which has all but erased the boundary between past and present; the increase in pedagogical institutions; pan-national ...
Duane Allman at 70: A Reflection
by Alan Bryson
The actor James Dean once said, “If a man can bridge the gap between life and death, if he can live after he's died, then maybe he was a great man." James Dean is perhaps the charter member of a modern subset of such individuals who, due to modern technology, live on in the consciousness of ...
The Blue Notes and the Brotherhood of Breath - Marching to a Different Drum
by Duncan Heining
Early one August morning in 1964, seven people crossed the border by train passing from South Africa into Mozambique. It was an unusual group of people--five black men, one white man and one white woman. Any “mixing of the races" was, of course, immediately suspicious in apartheid South Africa. The six men--Louis Moholo, Chris McGregor, Dudu ...
Roland Kirk: Here Comes The Whistleman
by Duncan Heining
This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...
The Ganelin Trio: Creative Tensions
by Duncan Heining
Imagine a time, not so very long ago, when a foreign Jazz/Improvising Trio created such a stir in Britain that they made the TV news! Imagine the national newspapers queuing round the block for interviews. And imagine London's Bloomsbury Theatre filled with musicians, journalists and arts administrators--not to mention the odd, very odd, raincoated spook.
Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
The Giant Legacy of Rudy Van Gelder
by Greg Simmons
Recording Engineer Rudy Van Gelder died at home of natural causes on August 25th at the age of 91. His legacy--and it's a big one--is the countless recordings he made during modern jazz's greatest period of innovation. Almost any jazz musician of note who was making records--especially if they were working on the east coast--was captured ...
Claude Nobs: We All Came Out To Montreux...
by Ian Patterson
Montreux Jazz Festival is fifty. It's a significant milestone and cause for celebration. No doubt there will be an added festive element to this year's edition of the festival, founded by Claude Nobs--along with pianist Géo Voumard and writer René Langel--in 1967. Yet for many, the celebrations will be tinged with sadness due to the absence ...
David S. Ware and the Wisdom of Uncertainty
by Jakob Baekgaard
Every record label needs a beginning, a first release, but it is seldom that the initial release is a masterpiece. However, this is the case with Wisdom of Uncertainty, saxophonist David S. Ware's album from 1997, which was the inaugural release of Steven Joerg's AUM Fidelity imprint. The name of the label is ...
