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Sam Yahel: Hometown
by J Hunter
Sam Yahel has made the grade. His signature Hammond B3 sound--appearing on both his own work and on recordings by Joshua Redman, Bill Frisell, and Norah Jones--has identified him as one of the players that will take Jimmy Smith's favorite instrument deep into the 21st century. So what does Yahel do on Hometown, his fifth disc ...
Yotam Silberstein: Next Page
by J Hunter
Next Page has been pegged as an organ trio disc. The problem with that is saxman Chris Cheek appears on five of the disc's nine cuts. True, keyboardist Sam Yahel never lays out, but to completely dismiss Cheek's role in Yotam Silberstein's second release as a leader--even for simplicity's sake--is to ignore a range of color ...
Yotam Silberstein: Next Page
by Jerry D'Souza
Yotam Silberstein began playing guitar when he was 10. His first interests were rock and pop, but five years later he began studying jazz. After he finished high school in Tel Aviv, Silberstein moved to New York City. He continued pursuing jazz and, over the years, has played with Kenny Barron, Avishai Cohen, Roy Hargrove and ...
Spike Wilner: 3 To Go
by George Kanzler
At a small jazz festival a few years ago the advertised theme was a celebration of Duke Ellington's music. But some featured acts, including one highly regarded younger pianist, obviously hadn't taken the theme very seriously, his only begrudging nod to it being a rendition of the jam session standby, “C-Jam Blues," hardly a tune representative ...
Yotam Silberstein: Next Page
by Dan McClenaghan
The organ trio approach is one of the more drenched-in-the-tradition formats in jazz. From Wes Montgomery's Riverside recordings through Grant Green's Blue Note sets up to Dr. Lonnie Smith's innovations, there's always a feeling of timeless soulfulness to the grouping of guitar, Hammond B3 organ and drums.Tel Aviv-born guitarist Yotom Silberstein, on Next Page, ...
Jeremy Manasia: After Dark
by Terrell Kent Holmes
Pianist, composer and arranger Jeremy Manasia is the driving force behind After Dark, an excellent group of originals and standards rendered by Manasia, drummer Charles Ruggiero and bassist Barak Mori. Manasia wrote most of the songs with classic jazz as his guiding principle. Up-tempo tunes like “Ruggburn" or the cool mid-tempo blues “Arch ...
Steve Davis: Outlook
by George Kanzler
Trombonist Steve Davis has spent much of his two-decade jazz career in larger ensembles--big bands but most notably sextets, from Art Blakey's Jazz Messengers, Chick Corea's Origin and the co-op band One for All to Benny Golson's New Jazztet. But when Davis leads his own bands or puts out his own records he thinks smaller. Outlook ...
John Escreet: Consequences
by Elliott Simon
It is uplifting when a release reveals that there is still compositional fire in the heads, hearts and instruments of the children of freedom and grandchildren of bop. British pianist John Escreet is the latest very pleasant surprise from this generation of 20-somethings--one who not only has technical ability but also compositional inventiveness and stylistic relevance. ...
Consequences
By John Escreet
Label: Posi-Tone Records
Released: 2008
Track listing: The Suite Of Consequence - Movement I; The Suite Of Consequence - Movement II; The Suite
Of Consequence - Movement III; Wayne's World; Dilemma; Somewhere Between Dreaming
And Sleeping; No Doubt.
John Escreet: Consequences
by Mark F. Turner
Since moving to New York in 2006 the exciting London pianist/composer John Escreet has assembled a sensational group of likeminded leaders/thinkers--first call saxophonist David Binney, and equally dynamic younger stars, trumpeter Ambrose Akinmusire, bassist Matt Brewer, and drummer Tyshawn Sorey--to form the John Escreet Project. The resulting recording Consequences, is a scintillating work of modern progressive ...
