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Mike DiRubbo: Repercussion
by C. Michael Bailey
The immediate appeal of alto saxophonist Mike DiRubbo's Repercussion is the replacement of the piano by the vibraphone as the rhythm section's harmony instrument. Guitar-based and piano-less rhythm sections have made their way into the mainstream, leaving the vibraphone-based rhythm section still a novelty. DiRubbo is certainly not the first to employ such a format. Trombonist ...
Ralph Bowen: Dedicated
by Glenn Astarita
Back in the 1980s, tenor saxophonist Ralph Bowen was a member of a young and thoroughly hip progressive jazz ensemble known as OTB--Out Of The Blue. Since then, he's been an in-demand session artist. With Dedicated, he garners superb support from a top-flight ensemble, but it's Bowen's dynamic presence and big sound that fully reveal his ...
Ralph Bowen: Dedicated
by Blaine Fallis
Ralph Bowen Dedicated Posi-Tone Records 2009 Tenor saxophonist Ralph Bowen's Dedicated is a project that was nurtured and produced by Posi-tone Records' founder Marc Free, who felt that Bowen was under-appreciated by the jazz public at large. Bowen has influenced hundreds of players through his teaching position at ...
Sam Yahel: Hometown
by J Hunter
Sam Yahel has made the grade. His signature Hammond B3 sound--appearing on both his own work and on recordings by Joshua Redman, Bill Frisell, and Norah Jones--has identified him as one of the players that will take Jimmy Smith's favorite instrument deep into the 21st century. So what does Yahel do on Hometown, his fifth disc ...
Yotam Silberstein: Next Page
by J Hunter
Next Page has been pegged as an organ trio disc. The problem with that is saxman Chris Cheek appears on five of the disc's nine cuts. True, keyboardist Sam Yahel never lays out, but to completely dismiss Cheek's role in Yotam Silberstein's second release as a leader--even for simplicity's sake--is to ignore a range of color ...
Yotam Silberstein: Next Page
by Jerry D'Souza
Yotam Silberstein began playing guitar when he was 10. His first interests were rock and pop, but five years later he began studying jazz. After he finished high school in Tel Aviv, Silberstein moved to New York City. He continued pursuing jazz and, over the years, has played with Kenny Barron, Avishai Cohen, Roy Hargrove and ...
Spike Wilner: 3 To Go
by George Kanzler
At a small jazz festival a few years ago the advertised theme was a celebration of Duke Ellington's music. But some featured acts, including one highly regarded younger pianist, obviously hadn't taken the theme very seriously, his only begrudging nod to it being a rendition of the jam session standby, “C-Jam Blues," hardly a tune representative ...
Yotam Silberstein: Next Page
by Dan McClenaghan
The organ trio approach is one of the more drenched-in-the-tradition formats in jazz. From Wes Montgomery's Riverside recordings through Grant Green's Blue Note sets up to Dr. Lonnie Smith's innovations, there's always a feeling of timeless soulfulness to the grouping of guitar, Hammond B3 organ and drums.Tel Aviv-born guitarist Yotom Silberstein, on Next Page, ...
Jeremy Manasia: After Dark
by Terrell Kent Holmes
Pianist, composer and arranger Jeremy Manasia is the driving force behind After Dark, an excellent group of originals and standards rendered by Manasia, drummer Charles Ruggiero and bassist Barak Mori. Manasia wrote most of the songs with classic jazz as his guiding principle. Up-tempo tunes like “Ruggburn" or the cool mid-tempo blues “Arch ...
Steve Davis: Outlook
by George Kanzler
Trombonist Steve Davis has spent much of his two-decade jazz career in larger ensembles--big bands but most notably sextets, from Art Blakey's Jazz Messengers, Chick Corea's Origin and the co-op band One for All to Benny Golson's New Jazztet. But when Davis leads his own bands or puts out his own records he thinks smaller. Outlook ...
