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Article: Album Review

Michael Dease: Never More Here

Read "Never More Here" reviewed by Dan McClenaghan


Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar ...

5

Article: Album Review

Sam Dillon: Force Field

Read "Force Field" reviewed by Dan Bilawsky


It doesn't take long to realize that Sam Dillon is on to something here. With drummer Anwar Marshall and bassist David Wong laying a grooving foundation on the opening title track, the tenor saxophonist sets off on a mighty chromatic quest. The lines, and what rumbles beneath them, set up an open playing field where pianist ...

4

Article: Album Review

Patrick Cornelius: This Should Be Fun

Read "This Should Be Fun" reviewed by David A. Orthmann


This Should Be Fun occupies middle ground between the various modes of experimentation that infuse present-day jazz, and a fealty to traditional practices. Alto saxophonist Patrick Cornelius and an exceptional band of peers haven't completely abandoned twentieth century jazz orthodoxy, yet their work doesn't flaunt or reference specific, easily recognizable influences. If you're looking for song ...

4

Article: Album Review

Josh Lawrence: Triptych

Read "Triptych" reviewed by David A. Orthmann


Triptych succeeds on the connection between Josh Lawrence's writing and a coterie of players with whom he has been associated for several years. A brilliant, enterprising band comprised of the leader's trumpet, pianist Zaccai Curtis, his brother, bassist Luques Curtis, alto saxophonist Caleb Curtis (no relation), and drummer Anwar Marshall readily embrace the contours of Lawence's ...

2

Article: Album Review

Something Blue: Maximum Enjoyment

Read "Maximum Enjoyment" reviewed by Paul Rauch


Maximum Enjoyment is a curated effort by Posi-Tone producer Marc Free to feature the label's artists individually and collectively. The recording features a talented front-line of alto saxophonist Alexa Tarantino, trombonist Nick Finzer, and tenor saxophonist Sam Dillon, backed by an uber rhythm section featuring pianist Art Hirahara, bassist Boris Kozlov, and drummer Rudy Royston.

Album

Straight Forward

Label: Posi-Tone Records
Released: 2018
Track listing: Happy Juice; Delilah Was a Libra; West Village; King Cobra; I'm OK; Down the Pike; Hush Puppy; Vortex; Frederico; Follow Suit; Preachin'.

Album

Reaching Out

Label: Posi-Tone Records
Released: 2018
Track listing: Something In Common; Live And Let Die; Tipping Point; More Than Words; Double Luminosity; The Takeover; Ballade; The Chameleon Eye; Blackfoot; Water Runs Dry.

Album

Don't Look Down

Label: Posi-Tone Records
Released: 2018
Track listing: Maker's Marc; Coming Up Shorter; You're Better Than That; Fall Back; Don't Look Down; Divided State; I'll Take It from Here; Queens; Top to Bottom; Inversions; From Six To Midnight.

Album

Contrast

Label: Posi-Tone Records
Released: 2018
Track listing: Circles On Black; Round The Circle; Dominant Curve; Accompanied Contrast; In The Black Square; Gray; Brown; Agent Orange; Blues On The Bridge; Sometimes It Snows In April.

Album

The Future is Female

Label: Posi-Tone Records
Released: 2018
Track listing: Nevertheless, She Persisted; Little Did She Know; She Needed A Hero, So That's What She Became; Females Are Strong As Hell; Mr. President; #MeToo; Choices; Feminist AF; Nasty Women Grab Back; Ode To a Generation.


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