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Matthew Bourne: Montauk, Billy Moon and the Lost Pianos
by Bruce Lindsay
"I've accepted that I'm not a traditional composer who sits and scores things out, plays them, learns them. I just have a rough sense of something and go out and do it. It often ends up being completely different," says pianist, improviser and composer Matthew Bourne. It's a characteristically honest appraisal, but it fails to do ...
The JazzLife UK Gilded Butterfly Awards 2011
by Bruce Lindsay
As Noddy Holder and the mighty Slade remind us every year, “It's CHRISTMAAAAAAS." With the Yuletide festivities comes the annual avalanche of End Of Year lists, Best Of awards and Grammy nominations. This year, JazzLife UK adds its own awards to the list: the inaugural JazzLife UK Gilded Butterfly Awards (or GBs). In line with the ...
Blue Touch Paper: Stand Well Back
by John Kelman
Blue Paper Touch Stand Well Back Provocateur Records 2011 Based on his recent work, creating impressive big band tribute projects including Visions of Miles--The Electric Period of Miles Davis (In+Out, 2009) and John Lennon--In My Own Write (Provocateur, 2011), it might be understandable to think of Colin Towns as an ...
Aaron Staebell: Bending & Breaking
by Bruce Lindsay
Bending And Breaking is percussionist and composer Aaron Staebell's debut as a bandleader; a debut filled with energy, enthusiasm, and invention, signaling the appearance of yet another talented newcomer on the scene. As a composer, Staebell's work takes inspiration from and shares qualities with a wide range of styles and sources. “Nobody Reads ...
Sebastian Rochford & Pamelia Kurstin: Ouch Evil Slow Hop
by Chris May
Sebastian Rochford & Pamelia KurstinOuch Evil Slow HopSlow Foot Records2011 For eighty years, the Theremin has hovered on the fringes of music like a freak show exhibit at a carnival. Since its invention by Leon Theremin in 1928, it has been used mainly for novelty and, occasionally ...
Rachel Musson's Skein: Flight Line
by Chris May
Rachel Musson's SkeinFlight LineF-IRE2011 The London musicians' collective/record label F-IRE can take much of the credit for the emergence of some singular saxophonists during the early to mid-2000s: Peter Wareham (Acoustic Ladyland and Polar Bear), Mark Lockheart (Polar Bear), Finn Peters and Ingrid Laubrock being foremost among ...
It's Been A Very Good Year
by Bruce Lindsay
The New Year is past its infancy, leaving toddlerhood behind and heading into those difficult pre-school years. Olympic Fever jostles with a forthcoming Royal Wedding for the attentions of the Great British Public (at least according to the more populist media). Across the Atlantic, Esperanza Spalding won a first for jazz: the Grammy Award for Best ...
Twelves: The Adding Machine
by Bruce Lindsay
In 2008, Twelves Trio released its debut album, the evocatively-titled Here Comes The Woodman With His Splintered Soul (1965 Records). The band has since added guitarist Rob Updegraff, dropped the Trio appellation, changed record labels, and released album number two, the more prosaically named The Adding Machine. The band's intention to explore, improvise and develop sonically ...
Loose Tubes: Tomorrow Night is Your Last Chance Ever
by Bruce Lindsay
Twenty years after legendary British big band Loose Tubes played its farewell gigs at Ronnie Scott's Club in London, its first live album, Dancing On Frith Street (Lost Marble Records, 2010), became Jazzwise magazine's Archive Album of 2010. In the intervening decades, the band's members had spread across the British and international jazz scenes to become ...
Common Ground
By Polar Bear
Label: The Leaf Label
Released: 2010
Track listing: Recording in Secret; Never Giving Up; New Love; Dont Think I Wont; Stay in Control; The Role I Choose; Flowerpot Remix; Fire It Up; Enterprize.
