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Album

We Are All

Label: Edition Records
Released: 2018
Track listing: One for Us; Matrix for D.A.; The Edge; Emerald Horseshoe; Breathless; The Tree Did Not Die.

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Article: Year in Review

Geno Thackara's Best Releases of 2018

Read "Geno Thackara's Best Releases of 2018" reviewed by Geno Thackara


Despite (or in defiant response to) the difficulties of the streaming age, 2018 has seen another musical bumper crop--especially for those of us who particularly love the sound of the piano. There were enough top-notch offerings to make a list at least twice as long, but these have been the most frequent and satisfying staples in ...

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Article: Radio & Podcasts

Phronesis, Art Hirahara, Marcus Klossek and a Posi-tone focus

Read "Phronesis, Art Hirahara, Marcus Klossek and a Posi-tone focus" reviewed by Bob Osborne


Featured on this show are new releases from Phronesis, Art Hirahara, and German guitarist Marcus Klossek. There is also a focus on the excellent Posi-tone label with great music from a selection of artists from their exciting roster. Recent ECM releases and classic cuts from Ornette Coleman and Miles Davis complete two hours of great jazz. ...

2

Article: Radio & Podcasts

Pedro Melo Alves, Rich Halley and more

Read "Pedro Melo Alves, Rich Halley and more" reviewed by Maurice Hogue


the sonorous tones of the double bass echo throughout this episode, highlighted by a double hit of Israeli bassist Shay Hazan with music from new releases by his quintet and sextet, Argentina's Juan Bayon as well as Tom Abbs, and Kyle Motl with Abbey Rader's West Coast Quartet. You'll hear tracks from new albums by Pedro ...

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Article: Radio & Podcasts

Randy Weston Tribute & New Releases

Read "Randy Weston Tribute & New Releases" reviewed by Ludovico Granvassu


Another master has left us. Randy Weston passed away on Sept. 1st at the venerable age of 92. This week we celebrate the music of an artist that consciously built a bridge between jazz and African musical traditions and, in doing so, strongly contributed to the awareness of the African roots of jazz music.

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Article: Album Review

Phronesis: We Are All

Read "We Are All" reviewed by Geno Thackara


You never know where Phronesis will turn next, but you can count on something inventive, surprising, and still true to the identity that's made them one of the premier piano trios on the world stage. They've racked up an impressive round of extracurriculars since their previous original outing Parallax (Edition, 2016): the left-field crossover The Behemoth ...

5

Article: Album Review

Phronesis: We Are All

Read "We Are All" reviewed by Roger Farbey


The incendiary playing on the opener “One For Us" augurs well for the rest of this, the eighth album by Phronesis. Their previous CD, The Behemoth was released in 2017 to widespread critical acclaim. It seems incredible that Jasper Høiby's brainchild has racked up so many consistently excellent recordings to date. Ivo Neame's “Matrix ...

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Article: In Pictures

Jazz dans la Nuit at The Montreal International Jazz Festival 2018

Read "Jazz dans la Nuit at The Montreal International Jazz Festival 2018" reviewed by Dave Kaufman


Part 1 | Part 2 | Part 3 | Part 4jny: Montreal is a city known for its beautiful historic churches and cathedrals. Église du Gesù, a magnificent church situated in the heart of downtown Montreal, opened its doors in 1865. The basement in the church has housed an amphitheater dedicated to the arts ...

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Article: Live Review

TD Ottawa Jazz Festival 2018

Read "TD Ottawa Jazz Festival 2018" reviewed by John Kelman


2018 TD Ottawa Jazz Festival Multiple Venues Ottawa, Canada June 21-June 26, 2018 For its 2018 edition, the 39th annual TD Ottawa Jazz Festival faced a number of significant logistical challenges. First, Confederation Park, which has traditionally been the location of its large, outdoor venue, a food court and ...

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Article: Album Review

Ivo Neame: Moksha

Read "Moksha" reviewed by Roger Farbey


Making a welcome return in a leader rôle, Ivo Neame's follow-up to his excellent album Strata (Whirlwind, 2015), sees him taking a slightly different approach to his previous two quintet and octet configurated recordings. His cannily idiosyncratic music is also obviously divergent to those found on recordings with Phronesis and saxophonist Marius Neset, to which he ...


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