Home » Search Center » Results: Peter Evans
Results for "Peter Evans"
Dave Ballou: Solo Trumpet
by Giuseppe Segala
Dave Ballou si inserisce in modo del tutto personale in quel filone di trombettisti che indaga il proprio strumento in senso lato, ne trae sonorità inedite attraverso lo studio di articolazioni e procedure peculiari, ne cerca un ampliamento del vocabolario e delle espressività. Un filone che, in senso cronologico, ha origine con Bill Dixon, passa per ...
Barry Guy: Ploughs into Swordshares, Part 1-3
by Duncan Heining
Part 1 | Part 2 | Part 3 Edgar Varèse's defiant statement in the face of public and critical indifference -"The present day composer refuses to die"—could so easily apply to composer-bassist Barry Guy. He has earned over the years a deep and lasting respect from certain fans and critics, though more so in ...
Moppa Elliott: Still, Up In The Air
by Karl Ackermann
The founder and bassist of Mostly Other People Do the Killing, Matthew “Moppa" Elliott, has kept his own solos to a minimum on MOPDtK recordings, giving the spotlight over to trumpeter Peter Evans, saxophonist Jon Irabagon and now pianist Ron Stabinsky. However, his very recent participation as one of the Big Five Chord quintet, on guitarist ...
Troy Collins' Best Releases of 2015
by Troy Collins
2015 was an eventful year for jazz and creative improvised music. A decade and a half into the new century found rising young artists revisiting, reevaluating and reinterpreting standards from the jazz canon in surprisingly creative ways. Many of the albums listed below are conceptual efforts dedicated to the advancements of revered masters, ranging from pre-war ...
Sant'anna Arresi Quintet By Evan Parker: Filu ‘E Ferru
by Mark Corroto
The differences between British free jazz and American is an often debated subject. Certainly in the 1960s, at the genesis of free playing, the ocean's divide between continents was easily identifiable. The African and African/American tradition of Jazz informed the experiments of the Art Ensemble of Chicago, John Coltrane, and Anthony Braxton, while the UK players ...
Gard Nilssen's Acoustic Unity: Firehouse
by Giuseppe Segala
Disco intelligente, compatto nell'ispirazione e nella durata, Firehouse presenta il trio Acoustic Unity del batterista norvegese Gard Nilssen. Un disco impostato su un free dalle tinte moderate, che comunica immediata freschezza, fluidità, coesione di gruppo. Ben impostato su una durata umanamente accessibile per chi ascolta, denota anche sotto questo aspetto la capacità di sintetizzare idee, di ...
Live From Birmingham: Partisans, Rascals Of Rhythm, Amok Amor, John McEntire & Schneider Kacirek
by Martin Longley
Partisans Wolverhampton Arena Theatre November 14, 2015 Partisans have now been playing together for two decades, in a completely unchanging four-piece configuration. Bonds have been formed, lines have intertwined, rapport greases repertoire negotiation, and comfort encourages greater risk-taking. The band made several comments about savouring the Arena Theatre's vibrations, ...
Amok Amor al Club Sudwerk di Bolzano
by Giuseppe Segala
Club Sudwerk Bolzano 18.11.2015 La tromba funambolica di Peter Evans ha incrociato la batteria rutilante di Christian Lillinger nel trio Amok Amor, già attivo e apprezzato sulla scena berlinese, facendo nascere vere e proprie scintille. La scorsa estate il quartetto, completato dal contrabbassista Peter Eldh e dal sassofonista alto Wanja Slavin, ...
Sant'Anna Arresi Quintet by Evan Parker: Filu ‘e Ferru
by Alberto Bazzurro
Live alla ventinovesima edizione della rassegna di Sant'Anna Arresi, Ai Confini tra Sardegna e Jazz, il 2 gennaio 2015, l'album, prontamente prodotto dall'Associazione Culturale Punta Giara, riunisce un'autentica all stars del jazz sperimentale, alle sue più vaste latitudini: c'è l'avanguardia storica europea di Evan Parker, responsabile nominale del quintetto, quella di seconda generazione, neroamericana (Hamid Drake) ...
Rodrigo Amado: This Is Our Language
by John Sharpe
The title of Portuguese saxophonist Rodrigo Amado's latest offering pays unmistakable homage to the late Ornette Coleman. This Is Our Music (Atlantic, 1961) constituted one of Ornette's uncompromising early manifestos, while In All Languages (Caravan of Dreams, 1987) served to reveal both the differences and the similarities between his classic quartet and the electric Prime Time ...
