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Ballister: Chrysopoeia
by Mark Corroto
It is difficult to imagine a Ballister recording having its origins in any setting other than a live performance. The trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm, and drummer Paal Nilssen-Love fuels each performance with the audience's energy on all their recordings, including Chrysopoeia, their tenth. Not that the trio could not produce their music ...
John Dikeman, Pat Thomas, John Edwards, Steve Noble: Volume 1
by John Sharpe
For those worried about soaring energy bills, the inflammatory foursome of tenor saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble certainly offers one solution. They must have truly warmed the room at London's Cafe Oto on a cold February evening in 2019, on the evidence of the forty-minute program presented on ...
Roberto Zorzi: esplorazione senza confini
by Angelo Leonardi
Il percorso musicale del chitarrista Roberto Zorzi è così ricco ed eclettico che è impossibile includerlo in un particolare genere musicale. L'iniziale amore per visionari artisti rock come Robert Fripp e Brian Eno s'è arricchito nel tempo di approcci, tanto liberi quanto anticonvenzionali, di Derek Bailey e altri esponenti dell'avanguardia inglese degli anni settanta. La ricerca ...
Total Music Association: Walpurgisnacht
by John Sharpe
German free jazz enjoys a celebrated history. But while the likes of Peter Brötzmann, Alexander von Schlippenbach and Albert Mangelsdorff are among the marquee names, there's a whole other strata of lesser known entities. Among them is the short-lived Total Music Association, whose only LP, Walpurgisnacht, constitutes a revelatory reissue by the Lithuanian NoBusiness imprint. It ...
Solos & Duets: Dave Rimpus, Sylvie Courvoisier & Mary Halvorson, Mingus and more
by David Brown
In a duo performance, musicians become instrumental equals. The interchange of ideas and flow of music is like a conversation. And for the artist who performs solo, there is no place to hide. Today, we present a smorgasbord of solo and duo performances from Coleman Hawkins to Colin Stetson, Sylvie Courvoisier & Mary Halvorson to Duke ...
Lao Dan / Deng Boyu: TuTu Duo
by John Sharpe
The profile of jazz and improvisation from China rates roughly the same as the chances of keeping global warming below 1.5 degrees Celsius, or an anti-vaxxer's feel for community (if neither of those comparisons sits comfortably, just make up your own)—vanishingly small. So the release of TuTu Duo by reedman Lao Dan and percussionist Deng Boyu, ...
Fire Music: The Story of Free Jazz
by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
Albert Ayler: New York Eye and Ear Control Revisited
by Mark Corroto
The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As ...
Rachel Musson: Dreamsing
by John Sharpe
If the solo album is a rite of passage for a woodwind player, then adventurous British saxophonist Rachel Musson passes with flying colors. Musson has found a mentor in 577 Records label boss Federico Ughi, a collaborator during his sojourn in London in the early 2000s. Consequently, the imprint has issued a stream of strong releases ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
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