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Results for "Peter Brotzmann"
Total Music Association: Walpurgisnacht
by John Sharpe
German free jazz enjoys a celebrated history. But while the likes of Peter Brötzmann, Alexander von Schlippenbach and Albert Mangelsdorff are among the marquee names, there's a whole other strata of lesser known entities. Among them is the short-lived Total Music Association, whose only LP, Walpurgisnacht, constitutes a revelatory reissue by the Lithuanian NoBusiness imprint. It ...
Solos & Duets: Dave Rimpus, Sylvie Courvoisier & Mary Halvorson, Mingus and more
by David Brown
In a duo performance, musicians become instrumental equals. The interchange of ideas and flow of music is like a conversation. And for the artist who performs solo, there is no place to hide. Today, we present a smorgasbord of solo and duo performances from Coleman Hawkins to Colin Stetson, Sylvie Courvoisier & Mary Halvorson to Duke ...
Lao Dan / Deng Boyu: TuTu Duo
by John Sharpe
The profile of jazz and improvisation from China rates roughly the same as the chances of keeping global warming below 1.5 degrees Celsius, or an anti-vaxxer's feel for community (if neither of those comparisons sits comfortably, just make up your own)—vanishingly small. So the release of TuTu Duo by reedman Lao Dan and percussionist Deng Boyu, ...
Fire Music: The Story of Free Jazz
by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
Albert Ayler: New York Eye and Ear Control Revisited
by Mark Corroto
The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As ...
Rachel Musson: Dreamsing
by John Sharpe
If the solo album is a rite of passage for a woodwind player, then adventurous British saxophonist Rachel Musson passes with flying colors. Musson has found a mentor in 577 Records label boss Federico Ughi, a collaborator during his sojourn in London in the early 2000s. Consequently, the imprint has issued a stream of strong releases ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Liudas Mockūnas / Arvydas Kazlauskas: Purvs
by Mark Corroto
If you need evidence that the very first musicians, our evolutionary ancestors, made sounds to imitate nature, Purvs may be the proof. The Latvian and Lithuanian saxophonists Arvydas Kazlauskas and Liudas Mockūnas made two recordings, one in an open air Latvian bog marsh which makes up the first LP of this release and the second LP ...
Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men
by Mark Corroto
If you are not hip to Portuguese saxophonist Rodrigo Amado, where, as they say, have you been? He has garnered acclaim for many years now, with his own Motion Trio, Lisbon Improvised Players, The Wire Quartet, Luís Lopes' Humanization 4tet, and in duos with Chris Corsano and trios with Kent Kessler and Paal Nilssen-Love. If, though, ...
Michael Bisio - Kirk Knuffke - Fred Lonberg-Holm: The Art Spirit
by Mark Corroto
If you thought Requiem For A New York Slice (Iluso Records, 2019) from bassist Michael Bisio, cornetist Kirk Knuffke, and cellist Fred Lonberg-Holm was a one-off recording, you were mistaken, and thankfully so. Interestingly enough, The Art Spirit was actually recorded a couple weeks before Requiem and it is the continuation of a beautiful relationship begun ...
