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Results for "Paul Whiteman"
Steve Brown: Atlas Slapped
by Andrew J. Sammut
The word bass means bottom. It means support. That's the prime requisite of a bassist, support. Architecturally, it has to be the lowest part of the building, and it has to be strong, or the building will not stand. Musically, it is the lowest human voice. It is the lowest musical voice in the orchestra. It's ...
Love Is Just Around The Chorus
by Andrew J. Sammut
In Lost Chords (Oxford University Press, 1999), Richard M. Sudhalter describes a humorous but powerful image of the working class jazz musician circa 1933: That most broadcast work was surely, in [Artie Shaw's] words, “boring, mind- numbing garbage" is more than substantiated by a photograph recently unearthed by the Institute of Jazz Studies, ...
Rare Gems of Bix Beiderbecke on Riverwalk Jazz This Week
On public radio this week, Riverwalk Jazz explores cornetist Bix Beiderbecke's gift for music and his place in jazz history. One of the first major soloists to emerge in jazz, Beiderbecke is considered by many to be the first to start playing and recording ballads in a jazz context. Jazz historian, bandleader and bass saxophonist Vince ...
Riverwalk Jazz Class of '30: Surviving on a Song
This week on Riverwalk Jazz, the Jim Cullum Jazz Band and special guest artists Clark Terry, Vernel Bagneris and Nina Ferro celebrate the great popular songs and jazz created at the beginning of the Great Depression. The show also features an encore appearance by the late Kansas City piano great, Jay McShann. The show can be ...
Charles Pillow: Sound Crafter
by Victor L. Schermer
Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional.
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
Musical Talent Is (Now and Then) All in the Family
by Jack Bowers
The induction of almost the entire Marsalis family (father Ellis, piano, and sons Wynton, trumpet; Branford, saxophones; Delfeayo, trombone; and Jason, drums) set me to thinking about how musical talent sometimes runs in families. In the pop world, almost everyone knows about the Jacksons, the Kings, the Osmonds and others. The same is true in jazz, ...
Brad Goode: Tight Like This
by C. Michael Bailey
Chicago-native trumpeter Brad Goode is steeped in the tradition. His previous Delmark offering, Nature Boy (2008), was very well-received for its conservative yet creative approach toward standards in a quartet format. He returns, delving deeper into jazz styles of the 1920s and '30s, updating them in a wonderfully lo-fi way. Tight Like This celebrates the early ...
Swing! / Episode 2 - "Birth of the Big Bands"
Soulandjazz.com Presents: Swing! Episode 2--Birth of the Big Bands Hosted and Produced by J. Scott Fugate, “The Jazz Evangelist" As always, the show is free, absolutely legal, fun for the whole family, and available for listening right now, right here. Welcome back to another episode of Swing! This month we explore the birth of the ...
Albuquerque Jazz Orchestra Rekindles Cuban Fire Suite
by Jack Bowers
On June 5, 2010, with the temperature in Albuquerque hovering around 100 degrees, the Albuquerque Jazz Orchestra couldn't have wished for a better time to perform Johnny Richards' incendiary Cuban Fire suite, first recorded in 1956 by the Stan Kenton Orchestra. The sold-out concert was the opening event in the city's annual Jazz and Blues Under ...
