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Jive-Colored Glasses
by John Goodman
The following is an excerpt from “Chapter 4: Chicago" of Jive-Colored Glasses by John F Goodman (jg publications, 2015). Growing up in and around Chicago in the 1950s brought me to all kinds and flavors of jazz. Between the house parties, clubs and concerts, there was a menu to please everyone. The Rush Street ...
George Gee Celebrates Van Alexander Centennial In Los Angeles on July 12th
The George See Swing Orchestra, one of New York’s premiere dance bands, returns to the world famous Maxwell Demille’s Cicada Club at the Oviat Building in downtown Los Angeles for an evening of swing music and dancing honoring the great Chick Webb / Savoy Ballroom music man, Van Alexander (composer of the Ella Fitzgerald hit song ...
Doubling; A History (Of Sorts)
A recent discussion among jazz researchers centered on the evolution of instrumentation as big bands changed through the decades. The conversation developed into exchanges about not only the makeup of band sections—rhythm, brass and reeds—but also the matter of doubling, in which individual musicians played more than one instrument and sometimes several. In the 1920s and ...
On Highway 61: Music, Race, and the Evolution of Cultural Freedom
by Dennis McNally
The following is an excerpt from the “Spirituals to Swing" chapter of On Highway 61: Music, Race, and the Evolution of Cultural Freedom by Dennis McNally (Counterpoint Press, Berkeley, 2014). Danny Barker, who in the 1930s was Cab Calloway's guitarist, told a particularly revealing story of working at the Nest Club, a Harlem ...
Jazz on the Screen: A Jazz and Blues Filmography
by AAJ Staff
This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...
Reluctant Genius Of Jazz: Artie Shaw This Week On Riverwalk Jazz
Artie Shaw was one of the top-grossing stars of the 1930s and the only serious rival Benny Goodman had to his title as “The King of Swing." To celebrate the Shaw legacy, Riverwalk's David Holt talks with Tom Nolan, the author of a new biography, Three Chords for Beauty's Sake: The Life of Artie Shaw. Nolan ...
Frankie Trumbauer and Me
The jazz saxophone starts with Frankie Trumbauer in the 1920s. All of the greats of the 1930s and '40s were fans, including Lester Young. In addition to playing C-melody saxophone (between the tenor and alto in size) and recording with Jean Goldkette, Red Nichols, Paul Whiteman, and Bix Beiderbecke, Trumbauer was a skilled pilot who joined the ...
"The Whiteman Years" This Week On Riverwalk Jazz
This week on Riverwalk Jazz, The Jim Cullum Jazz Band teams up with Vince Giordano and Andy Stein, specialists in the music of Paul Whiteman in the 1920s. The program is distributed in the US by Public Radio International. You can also drop in on a continuous stream of shows at the Stanford Archive of Recorded ...
Bing & Louis: A Pocketful Of Dreams With Gary Giddins, This Week On Riverwalk Jazz
Bing Crosby and Louis Armstrong struck up a friendship in the 1920s that flourished as they worked together—for almost half a century—on stage, in movies, and on radio and TV. This week on Riverwalkl Jazz, Gary Giddins, author of Bing Crosby: A Pocketful of Dreams-the Early Years, 1903-1940 shares a look into the friendship between Bing ...
Guitarists Marty Grosz And Howard Alden This Week On Riverwalk Jazz
This week on Riverwalk Jazz, two contemporary giants of jazz guitar, Marty Grosz and Howard Alden, join The Jim Cullum Jazz Band for a show devoted to pioneers of jazz guitar: Lonnie Johnson, Eddie Lang, Carl Kress, Dick McDonough and Django Reinhardt. The program is distributed in the US by Public Radio International. You can also ...
