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Paul Whiteman
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Paul Whiteman's Orchestra was the most popular band of the 1920s. They are also the most controversial to Jazz historians because Whiteman billed himself as "The King Of Jazz". The Paul Whiteman Orchestra rarely played what is considered real Jazz today, despite having some of the great White Jazz soloists of the 1920s in his band. For the most part Whiteman played commercial dance music and semi-classical works. Jazz critics almost universally dislike his music, but he had his moments. Whiteman started as classical viola player. He played with the San Francisco Symphony and he led a band for the Navy during World War One
The Brief Reign of King Oliver
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
Terry Waldo: Treasury Volume 1
by Nicholas F. Mondello
Simply stated, and without hyperbole, Terry Waldo is an American musical treasure. He's also a treasure purveyor. A protégé of and mentored by Eubie Blake, Waldo is a player, composer, arranger, author, podcaster, theatrical director, and the noted oracle for ragtime and early American popular music. With Treasury Volume 1 (the first of a three-volume set), ...
The Archives of Aquarius: Public Domain In 2025
by Troy Hoffman
The past few years have seen a cornucopia of historic compositional works released into the world of public domain. 2025 (the year of the snake) continues the tradition, marking many significant jazz-oriented recordings slithering into public archives and becoming legally available for usage, interpretation, parody, and more. One of many entered this year is Rhapsody in ...
Twin Sons from Different Mothers?: Harmonic Convergence in Jazz and Classical Music, Part 2: "Tritone Substitutions"
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 II. Twin Sons from Different Mothers: Tritone Substitutions There are two types of chords that feature dominant 7th sonorities--in jazz, they are called “tritone substitutions," and in classical, they are called “augmented 6th chords." We don't know ...
The Lyrics They Are 'A Changing: Lyrical Liberties In "Lover, Come Back To Me" And "Softly, As In A Morning Sunrise"
by Alex Segal
Frank Sinatra's greatness is evident in his making the songs he sang his own. And his doing this is connected to his, on occasion, changing the lyric of a song--even a very good lyric. But according to good anecdotal evidence, Cole Porter and Ira Gershwin--suppliers of some of the best lyrics Sinatra sang--did not take kindly ...
Horace Silver, Javier Nero & David Whitman
by Joe Dimino
We begin the 819th Episode of Neon Jazz with accomplished drummer David Whitman and music off his 2023 album Ode to Joe. The project was in honor of his mentor Joe Morello and we hear with the legendary Dave Brubeck Quartet. We also hear from a number of up and coming jazz musicians like Javier Nero, ...
Fire! Orchestra: Echoes
by Chris May
The story of supersized jazz orchestras is not pretty. The scene was set by the bleaching deracination of Paul Whiteman and the elephantine bombast of Stan Kenton, bandleaders whose craving for approval by the music establishment fatally compromised their art. Good taste came later with leaders such as Carla Bley and London's Keith Tippett, who proved ...
Classic Jazz, Past and Present
by Jerome Wilson
From May 2021, a show of all pre-bebop classic jazz, performed by musicians from that era as well as more recent players. Some of the performers on the show are Ethel Waters, Artie Shaw, Manhattan Transfer, Maryann Price, Louis Armstrong and Turk Murphy with Lord Buckley. Playlist Henry Threadgill Sextett “I Can't Wait Till ...
John Ellis, Andy Bragen: The Ice Siren
by Angelo Leonardi
Dopo Dreamscapes e MOBRO John Ellis e Andy Bragen firmano un altro lavoro d'ampio respiro, che si snoda in equilibrio tra scrittura cameristica, jazz e opera contemporanea. Ellis ha scritto la musica e partecipa come strumentista; Bragen ha composto il libretto, ispirandosi al filone gothic fantasy di autori come Tim Burton ne “La sposa ...
