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Results for "Paul Motian"
Manu Katche: Manu Katche
by Glenn Astarita
A celebrated session drummer and solo artist, Manu Katche's infamous method of crafting a backbeat may parallel the lyrical, dancelike aura for which late jazz drummer Paul Motian was noted. However, Katche's jazz roots are largely evident via his small group formats for ECM Records. On this self-titled release comprised of a multinational quartet, rock-solid pulses, ...
Buddy Rich: In a Zone of His Own
by Jack Bowers
One of the channels that came with my Dish Network package is Classic Arts Showcase, which is a treasure trove of film clips documenting classical, ballet, folk, pop and other forms of music that one is unlikely to see anywhere else (although some footage is presumably available on YouTube, which more and more seems to encompass ...
Scott McLemore: Remote Location
by John Kelman
While musicians relocate all the time, moving from the vibrant New York scene to more remote environs might seem an odd choice. After eight years in NYC playing with artists including guitarist Ben Monder and saxophonist Tim Berne, drummer Scott McLemore relocated with wife Sunna Gunnlaugs to her native Iceland following the pianist's decade-plus American stay. ...
Sara Serpa: A Musical Journey
by Hrayr Attarian
Vocalist and composer Sara Serpa is one of the most original and innovative musicians to emerge since the turn of the century. She has already made an indelible mark on the modern music scene in the span of a mere four years. Her unique style of vocalese allows her to utilize the full range of her ...
Chris Potter: The Sirens
by John Kelman
The appearance of saxophonist Chris Potter as a leader on ECM may come as a surprise to some, but a look back at the label's 44-year history makes The Sirens--his label debut and 19th as a leader since first emerging with trumpeter Red Rodney before he'd turned twenty, and releasing his own debut, Presenting Chris Potter ...
Rez Abbasi Trio: Continuous Beat
by John Kelman
In the 17 years since Rez Abbasi released Third Ear (Cathexis, 1995), the Pakistan-born, American-raised guitarist hasn't just covered a lot of ground, he's gone from an undoubtedly talented but somewhat vanilla player to one with a distinct voice and approach. Starting with Snake Charmer (Earth Sounds, 2005) and Bazaar (Zoho, 2006), Abbasi began to find ...
2012: The Year in Jazz
by Ken Franckling
The world of jazz officially went global in 2012, kicked the Grammy Awards in the shins, dealt with economic issues and Mother Nature, and found new ways to innovate in this social media and Internet-savvy age. There were ups and there were downs for both longstanding clubs and festivals, too. Here's a look at ...
Bill Frisell: Live Download Series #14-17
by John Kelman
DS#001-013 | DS#014-017 In a previous All About Jazz article, the first thirteen installments of guitarist Bill Frisell's remarkable Live Download Series were reviewed. Beginning in 2009, Frisell and Songline/Tonefield Productions began making available high quality, download-only (but in formats including 320K MP3 and lossless FLAC) live performances dating as far back as 1989, ...
ECM: A Cultural Archeology
by John Kelman
ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...
John Hartford: Aereo Plain/Morning Bugle: The Complete Warner Brothers Recordings
by Skip Heller
This 1971 album was to the emerging newgrass movement approximately was Bill Evans' Village Vanguard recordings were to jazz piano trios: the flexible blueprint for the genre. Evans and singer/multi-instrumentalist John Hartford both successfully found ways to dissolve the soloist and his enablers" tyranny, working instead towards the integrated ensemble as the musical engine.


