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Peter Brotzmann Chicago Tentet + 1: London, England, November 9-10, 2012
by John Sharpe
Peter Brötzmann Chicago Tentet + 1Café OtoLondonNovember 9-10, 2012Reprising a legendary three-day residency at Dalston's Café Oto in April 2011, saxophonist Peter Brötzmann's Chicago Tentet roared into town for two nights as part of the London Jazz Festival, the penultimate dates in a nine-day European tour. Incredibly, given the inclement economic ...
Mats Gustafsson: Share The Moment
by John Sharpe
Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...
Peter Brötzmann & Jason Adasiewicz: Delaware, Ohio, September 9, 2012
by Mark Corroto
Peter Brötzmann and Jason AdasiewiczJemison AuditoriumOhio Wesleyan UniversityDelaware, OhioSeptember 9, 2012Halfway through their 13-concert North American mini-tour, German saxophonist legend Peter Brötzmann and vibraphonist Jason Adasiewicz walked into a crowded Jemison Auditorium on the Ohio Wesleyan campus. Would the pair adjust and restyle their approach to 'free jazz' for ...
Vision Festival, Days 3-5: New York City, NY, June 13-15, 2012
by John Sharpe
Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 11-17, 2012Wednesday night at the Vision Festival was given over to the celebration of a lifetime of achievement by multi-instrumentalist, Joe McPhee, a deserving and popular choice. In presenting him with the envelope (presumably holding a check), ...
Ljubljana Jazz Festival: Ljubljana, Slovenia, June 20–29, 2012
by Henning Bolte
Ljubljana Jazz FestivalLjubljana, SloveniaJune 20-29, 2012Ljubljana, with its 53rd edition, truly hosts the oldest jazz festival in Europe. Norway's Molde, also a candidate, started one year later, in 1960. The capital of the now-independent Republic of Slovenia, neighbored by Austria, Hungary, Croatia and Italy, Ljubljana is situated one hour from Trieste, two hours ...
The Thing with Barry Guy: Metal!
by John Sharpe
The Thing with Barry GuyMetal!No Business Records2012In science, a substance which causes an increase in the rate of a chemical reaction is called a catalyst. In musical combinations, the inclusion (or sometimes even subtraction) of one player can have a similar result, often completely altering the regular dynamic. ...
Ballister: Mechanisms
by Glenn Astarita
The patrons for this live date must have been sitting on the edge of their seats throughout this exhilarating performance captured at a Chicago venue. With eminent proponents of the Chicago free-jazz sector wreaking havoc and Scandinavian drumming hero Paal Nilssen-Love adding his perennial doses of pop and sizzle, the trio's brazen and unrelenting attack often ...
Neneh Cherry & The Thing: The Cherry Thing
by Mark Corroto
The Scandinavian power trio of saxophonist Mats Gustafsson, bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love named their band The Thing in 2000, after the Don Cherry composition from Where's Brooklyn (Blue Note, 1966). In their subsequent dozen or so albums, they have covered Cherry's music and that of Albert Ayler, Joe McPhee, and Duke Ellington. ...
Ballister Trio: Mechanisms
by Mark Corroto
Stop me if you've heard this one before. A free improvising trio walks into a club and begins a live performance by ripping the ears off its listeners. No joke here, just that flexing muscular music isn't for the faint-at-heart. And certainly the trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love is ...
Frode Gjerstad & Paal Nilssen-Love: Side by Side
by Glenn Astarita
Prominent Norwegian improvisers Frode Gjerstad (alto saxophone, clarinets) and Paal Nilssen-Love (drums) toured North America in 2008 sans a bassist, and recorded this album at a studio in upstate New York, accentuating their synergy via a largely rough and tumble implementation. Gjerstad shows a fondness for the upper-register and produces a myriad of microtonal and edgy ...
