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Curtis Fuller: The Opener – Blue Note 1567
by Marc Davis
From the very first notes, it's obvious that Curtis Fuller's The Opener is something completely different. Yes, it's bop. Yes, it features the usual lineup of two horns, piano, bass and drums. And yes, one of those horns is saxman Hank Mobley, who, by law, was required to appear on every single Blue Note ...
Rare and Unusual Instruments in Jazz
by Hrayr Attarian
Historically the cornet was the quintessential jazz instrument but over a century of its evolution other instruments have also become part of the regular jazz armamentarium. These include common ones such as the piano, saxophone, bass and drums to the more occasionally appearing violin, clarinet and other percussion instruments. There are few, however, that exhibit unique ...
Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, musical natural" and aural savant also percolate rapidly to mind. Now ...
Glenn Zottola: A Jazz Life - The Early Years
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, musical natural" and aural savant also percolate rapidly to mind. Now ...
Band Ambition: Sherrie Maricle and Diva
by Richard J Salvucci
In the iconic photo A Great Day in Harlem (1958), bandleader and pianist Count Basie has taken a seat on the curb. Eleven neighborhood kids and one ringer, Taft Jordan Jr, are seated single file to Basie's right. Marian McPartland and Mary Lou Williams stand behind the kids, chatting. They are bookended, appropriately, by Oscar Pettiford ...
A Remembrance of Percy Heath
by R.J. DeLuke
This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...
Blue Lines Trio: Blue Lines Trio
by Vic Albani
Registrato dal vivo il 5 marzo 2014 al celeberrimo Bimhuis di Amsterdam, vale a dire in uno dei templi dell'avantgarde jazz europeo, l'omonimo CD del Blue Lines Trio contiene una selezione di cinquanta minuti e rotti della ricchezza compositiva e di repertorio di tre importanti esploratori del suono moderno che si chiamano George Hadow, Michiel Scheen ...
Joshua Breakstone: With the Wind and the Rain
by Maurizio Zerbo
L'atipica formazione, chitarra/basso/batteria con violoncello, potrebbe far pensare a digressioni cameristiche. Si impone invece una gioiosa pratica jazzistica per via del quarto strumento utilizzato con le medesime funzioni di chitarra e contrabbasso. Nel solco di una tradizione che annovera diversi maestri (su tutti Oscar Pettiford), si impone superbamente il contrabbassista Mike Richmond qui impiegato solo al ...
Video: Cafe Montmartre, '59-'76
Oscar Pettiford was one of the great jazz bassists on the New York recording scene in the 1940s and '50s. Sadly, his name today is slipping into obscurity. In 1958, Pettiford moved to Copenhagen, where he died in 1960 at age 37. He was the first to play jazz cello in 1949, and few could match ...
Take Five With Michael Janisch
by AAJ Staff
Meet Michael Janisch:Freelance double & electric bassist, composer, producer, record label owner & bandleader from the USA, resident since 2005 in London, England. Performances with Joe Lovano, Kurt Rosenwinkel, Mark Turner, George Garzone, Dianne Reeves, Shirley Horn, Evan Parker, Gary Husband, Joe Locke, Walter Smith III, Mike Moreno, Jason Palmer, Jon Irabagon, Logan Richardson, Will ...


