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858

Article: Interview

A Remembrance of Percy Heath

Read "A Remembrance of Percy Heath" reviewed by R.J. DeLuke


This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...

3

Article: Album Review

Blue Lines Trio: Blue Lines Trio

Read "Blue Lines Trio" reviewed by Vic Albani


Registrato dal vivo il 5 marzo 2014 al celeberrimo Bimhuis di Amsterdam, vale a dire in uno dei templi dell'avantgarde jazz europeo, l'omonimo CD del Blue Lines Trio contiene una selezione di cinquanta minuti e rotti della ricchezza compositiva e di repertorio di tre importanti esploratori del suono moderno che si chiamano George Hadow, Michiel Scheen ...

3

Article: Album Review

Joshua Breakstone: With the Wind and the Rain

Read "With the Wind and the Rain" reviewed by Maurizio Zerbo


L'atipica formazione, chitarra/basso/batteria con violoncello, potrebbe far pensare a digressioni cameristiche. Si impone invece una gioiosa pratica jazzistica per via del quarto strumento utilizzato con le medesime funzioni di chitarra e contrabbasso. Nel solco di una tradizione che annovera diversi maestri (su tutti Oscar Pettiford), si impone superbamente il contrabbassista Mike Richmond qui impiegato solo al ...

1

News: Video / DVD

Video: Cafe Montmartre, '59-'76

Video: Cafe Montmartre, '59-'76

Oscar Pettiford was one of the great jazz bassists on the New York recording scene in the 1940s and '50s. Sadly, his name today is slipping into obscurity. In 1958, Pettiford moved to Copenhagen, where he died in 1960 at age 37. He was the first to play jazz cello in 1949, and few could match ...

692

Article: Take Five With...

Take Five With Michael Janisch

Read "Take Five With Michael Janisch" reviewed by AAJ Staff


Meet Michael Janisch:Freelance double & electric bassist, composer, producer, record label owner & bandleader from the USA, resident since 2005 in London, England. Performances with Joe Lovano, Kurt Rosenwinkel, Mark Turner, George Garzone, Dianne Reeves, Shirley Horn, Evan Parker, Gary Husband, Joe Locke, Walter Smith III, Mike Moreno, Jason Palmer, Jon Irabagon, Logan Richardson, Will ...

23

Article: Album Review

Levin Brothers: Levin Brothers

Read "Levin Brothers" reviewed by John Kelman


He may have ultimately become best-known in the progressive rock world for his ongoing work with King Crimson, Peter Gabriel, Stick Men and the Crimson ProjeKct, but 68 year-old bassist and stick player Tony Levin has no shortage of jazz credentials, playing with everyone from Gary Burton and Mike Mainieri to Chuck Mangione and Buddy Rich ...

6

Article: Album Review

New Zealand School of Music Big Band: Awright Awright

Read "Awright Awright" reviewed by Jack Bowers


It's hard to believe this is a school band, no matter what the level. Music director Rodger Fox, a seasoned trombonist who leads his own play-for-pay band, must be extremely pleased and proud of what his students at the New Zealand School of Music in Wellington have accomplished, as their third album, Awright Awright, is superlative ...

18

Article: Interview

Cecil McBee: Masterful, And Always Equipped

Read "Cecil McBee: Masterful, And Always Equipped" reviewed by R.J. DeLuke


Cecil McBee is one of the finest bass players on the scene, a status he's held among musicians for many years, even if the public is slower to pick up on the achievements of this 79-year-old musician extraordinaire. A natural, he was quick to connect with musicians in his hometown of Tulsa, Oklahoma. But ...

16

Article: Album Review

Howard McGhee: Howard McGhee West Coast 1945-1947

Read "Howard McGhee West Coast 1945-1947" reviewed by Richard J Salvucci


Bebop trumpet pioneer Howard McGhee has undergone a lengthy process of rediscovery and reassessment since his death in 1987. A one-time Downbeat Poll Winner (1947), it's probably not much of an exaggeration to say he had been largely forgotten, even by trumpet players. Yet Gunther Schuller (1989) and Scott DeVeaux (1997) soon published searching and sophisticated ...

24

Article: Interview

Eric Revis: Trajectory From The Tradition

Read "Eric Revis: Trajectory From The Tradition" reviewed by R.J. DeLuke


The development of an individual voice on the contrabass is important to Eric Revis, one of the strongest players on the scene. His power and musicianship has endeared him to some of the finer musicians, and bands, in jazz. But Revis isn't content to let things lie there. Not that he has to be ...


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