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Roberto Gatto: vivere sbagliando è una gran perdita di tempo
by Daniele Vogrig
Tra una lezione e l'altra, abbiamo incontrato Roberto Gatto nel suo studio presso il Conservatorio di Latina, dove è titolare della cattedra di batteria e percussioni jazz. Ripercorrendo la carriera di uno tra i più illustri batteristi del panorama jazz italiano e internazionale, ne è scaturita una lunga e piacevole chiacchierata fra aneddoti, ricordi e progetti ...
ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
Charnett Moffett: Music From Our Soul
by Dan Bilawsky
Bassist Charnett Moffett is one of those figures that we tend to take for granted, mostly because it seems like he's simply always been here. The once-upon-a-time child prodigy has been omnipresent on the scene since the mid '80s, holding down the low end for jazz's elite while bringing strength, consistency, and creativity to the fore ...
Meridian Trio: Triangulum
by Troy Dostert
2017 is proving to be something of a breakout year for alto saxophonist Nick Mazzarella. He recently released Signaling, a superb freely-improvised duo recording with cellist Tomeka Reid, and now he's followed it up with this excellent outing from the Meridian Trio, where he is joined by his colleagues Matt Ulery on bass and Jeremy Cunningham ...
Giancarlo Velliscig - Direttore Artistico di Udin&Jazz
by Neri Pollastri
Un passato di cantante nell'ambito della musica popolare, etnica e di ricerca (che oggi torna a frequentare in rare ma sentite occasioni), un presente di padre che segue con emozione i progressi dei propri eredi (il figlio Alessio è da poco il nuovo cantante di Quintorigo), Giancarlo Velliscig è il direttore di Euritmica, associazione culturale udinese ...
Aruán Ortiz: Cub(an)ism
by Dan McClenaghan
The profile of Cuban-born pianist Aruan Ortiz climbed a few rungs on the ladder with the release of 2016's Hidden Voices (Intakt Records). The sound there was dark and brooding, as Ortiz constructed geometric musical shapes filled with sharp angles and unexpected tangents. His covers on the recordings--one tune by Thelonious Monk and another by Ornette ...
ELBJAZZ 2017
by Ian Patterson
ELBJAZZ 2017 Blohm and Voss/various venues Hamburg, Germany June 2-3, 2017 Although Gregory Porter was the marquee name at the sixth edition of Elbjazz, with a strong supporting cast including Joshua Redman, Jan Garbarek, Hildegard Lernt Fliegen and Youn Sun Nah, the real star of the show was the spectacular festival ...
SFJAZZ Collective: Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions
by John Kelman
In the thirteen years since the SFJAZZ Collective first came together in February 2004, this revolving door octet (septet, in 2009) of “cream of the crop" US-based jazz musicians has, most years, followed a consistent modus operandi: select a well-known jazz (and, in two cases, beyond jazz) musician and pay tribute through innovative arrangements of his/her ...
John Yao Quintet: Presence
by Dan Bilawsky
As human beings we tend to take the very notion of presence for granted, be it the presence of a loved one in our lives, the presence manufactured by our own actions as we present ourselves to the world, or the presence of all that comes and goes in our daily existence. For some reason these ...
Like A Jazz Machine 2017
by Ian Patterson
Like A Jazz Machine Centre Culturel Regionel Opderschmelz Dudelange, Luxembourg May 25-28, 2017 Size, as Like A Jazz Machine knows, isn't everything. The audience in the Centre Culturel Regionel Opderschmelz amounts to just four seated rows downstairs, with a small standing section to the rear, and ten rows ...
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