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The Necks: Bleed
by Rob Garratt
There is a diverting theory that modernist developments in the visual arts were mirrored in the evolving language of jazz: the rigid melodies of classic swing analogous with the formal representation of realism; the harmonic blurring of modalism an impressionistic step towards ambiguity; and the breakdown of order that came with free jazz the divisive audio ...
Julian Lage At Empire Music Hall
by Ian Patterson
Julian Lage Empire Music Hall Belfast, N. Ireland November 13, 2024 It is not too often that Julian Lage tours with nothing more than an acoustic guitar in tow. The solo acoustic album World's Fair (Modern Love, 2015) suggested at the time that the Californian might juggle solo performances ...
The Jim Self-John Chiodini Duo: Feels So Good
by Jack Bowers
Tuba maestro Jim Self and gregarious guitarist John Chiodini unite for the fifth time on Feels So Good, a studio date whose title neatly encapsulates its upbeat vibe. Even though it seems at first blush that the tuba and guitar should be playing in different leagues, Self and Chiodini somehow make the odd mixture work. Self ...
Roy Haynes: Still Lighting It Up
by Chris M. Slawecki
This article was first published on All About Jazz in June 1997. Drummer Roy Haynes isn't just cool--he's cooooolllll. In conversation, Roy Haynes is languid and relaxed yet full of fire, yet playful, mysterious and serious. Similarly, his music--and he's played alongside the best--is simultaneously passionate and precise, free-swinging and loose, but ...
Hilario Rodeiro Quinteto: Pausa
by Glenn Astarita
Drummer and composer Hilario Rodeiro Quinteto's PAUSA(which, no surprise, means “pause" in Spanish) invites listeners on a refreshing journey through jazz, with the band's rich heritage and innovative flair woven into every note. Led by Rodeiro, a Spanish musician from the Basque country, this quintet serves up a skillful mix of traditional Galician flavors and contemporary ...
JazzFest Berlin 2024
by John Sharpe
JazzFest Berlin 2024 Haus Der Berliner Festspiele Berlin, Germany October 31-November 3, 2024 Intro For its sixtieth edition, the renowned JazzFest Berlin not only presented a full program of 24 shows by over 120 performers from around the globe, but also ran a research lab looking back at the event's history, ...
Sulida: Utos
by John Sharpe
Under the collective moniker Sulida, up-and-coming young Norwegian saxophonist Marthe Lea joins forces with more established countrymen, bassist Jon Rune Strøm and drummer Dag Erik Knedal Andersen, in an exhilarating mix of improv and tunefulness. It is not just the egalitarian name, but the repertoire also. With the exception of one cover and single cuts by ...
Interview with Caleb Wheeler Curtis plus new music from Camille Thurman, Steve Coleman and the Five Elements and Delia Fischer
by Hobart Taylor
Hobart Taylor interviews saxophonist and composer Caleb Wheeler Curtis and celebrates other great sax players Camille Thurman, Steve Coleman, Jessica Jones, Vi Redd and Ornette Coleman. Playlist Camille Thurman"Pursuit With A Purpose" from Origins (Hot Tone Music) 0:00 Camille Thurman “Freedom" from Confluence, Vol.1: Alhambra (Epidote) 6:56 Host Speaks 19:55 Jessica Jones “Little Melonae" ...
Sentient Beings: Truth Is Not The Enemy
by John Sharpe
"Hills And Valleys," “Valleys And Hills." The titles of the two lengthy tracks on Truth Is Not The Enemy furnish oft-used metaphors for the flowing changes in intensity, volume and dynamics of long-form improvisations. However, on this occasion the hills seem more like summit plateau while the valleys are narrow and deep, as the four piece ...
Three types of albums from ezz-thetics
by John Eyles
In 1975 Werner X. Uehlinger founded the Swiss-based HatHut label which mainly released jazz by such illustrious names as Anthony Braxton, Steve Lacy, Joe McPhee, Max Roach and Cecil Taylor. The labels Hat MUSICS and Hat ART followed in 1981. !997 brought hatOLOGY and hat(now)ART, the latter issuing modern compositions by the likes of John Cage ...
