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Album

For The Unknown

Label: Orbis Music
Released: 2016
Track listing: Island Contours; Elastic Quadruple; Metallic Ocean; Time Painting Backwards; Peace Agreement; Sculpture VI; Big Sur Calling; Miro's February; Questionable Premise; Transformal Ghee; Sculpture VII; Sand Clock Revisited; Flurries; Tincture Bell Part I; Tincture Bell Part II; Grater Bubbles; Sculpture VII; Equuleaus; Lullaby For the Unknown.

Album

For The Unknown

Label: Orbis Music
Released: 2016
Track listing: Island Contours; Elastic Quadruple; Metallic Ocean; Time Painting Backwards; Peace Agreement; Sculpture VI; Big Sur Calling; Miro's February; Questionable Premise; Transformational Ghee; Sculpture VII; Sand Clock Revisited; Flurries; Tincture Bell, Pt. I; Tincture Bell, Pt. II; Grater Bubbles; Sculpture VIII; Equuleus; Lullaby for the Unknown.

14

Article: Album Review

Bruno Råberg/Phil Grenadier/Allan Chase: For The Unknown

Read "For The Unknown" reviewed by Mark Sullivan


Bassist Bruno Raberg returns with three-quarters of the quartet from last year's acclaimed Hot Box (Orbis Music, 2015). This outing was based on free improvisations (with extensive electronic sound design by Råberg)--it could be seen as an extension of the two collective improvisations on the previous album. No drums this time, just trumpeter Phil Grenadier, saxophonist ...

3

Article: Album Review

Bruno Raberg: For The Unknown

Read "For The Unknown" reviewed by Dan McClenaghan


Bassist Bruno Raberg's artistry sounds as if it would be a good fit for ECM Records. His music has a drifting elasticity; space is an important component; and his muse has introduced him to electronic sound design--an approach that the Swedish-born, and now Boston-based, performer has embraced. Raberg's sound is unique. Over the course ...

10

Article: Album Review

Bruno Råberg/Phil Grenadier/Allan Chase: For The Unknown

Read "For The Unknown" reviewed by Karl Ackermann


Three-quarters of bassist Bruno Råberg's Hot Box (Orbis Music, 2015) quartet, reunites on an unusual trio recording, For The Unknown. Among the unusual aspects of the album are Råberg, trumpeter Phil Grenadier and saxophonist Allan Chase turning out nineteen free improvisations in just over forty-five minutes, eight of the pieces clocking in at less than two ...

Album

Hot Box

Label: Orbis Music
Released: 2015
Track listing: Autumn Cycle; Hot Box (97°F); Early Walk; Atmos; Lost in the Attic(Borta på Vinden); Autumnal Ballad; Sirius B; Solace/Epilogue.

3

Article: Album Review

Bruno Råberg Quartet with Phil Grenadier, Allan Chase and Austin McMahon: Hot Box

Read "Hot Box" reviewed by Budd Kopman


With Hot Box, bassist/composer Bruno Råberg and his quartet (Phil Grenadier on trumpet and flugelhorn, Allan Chase on saxophones and drummer Austin McMahon) have created a very, very cool and quite attractive modern jazz album that will stay in the ear for a long time. “Cool" here means burning on a low heat, with ...

6

Article: Album Review

Bruno Råberg Quartet: Hot Box

Read "Hot Box" reviewed by Mark Sullivan


Bassist-composer Bruno Råberg leads an adventurous, empathetic pianoless quartet on Hot Box, his seventh recording as a leader. Born in Sweden, he has been living in the U.S. since 1981, and is a professor at the Berklee College of Music in Boston. His collaborations with trumpeter Phil Grenadier and saxophonist Allan Chase go back over 10 ...

18

Article: Album Review

Bruno Råberg Quartet with Phil Grenadier, Allan Chase and Austin McMahon: Hot Box

Read "Hot Box" reviewed by Karl Ackermann


Bassist Bruno Råberg and trumpeter Phil Grenadier had previously offered a brilliant duo collection with the 2012 Plunge (Orbis Music) and here--under Råberg's leadership--expand to a quartet formation for the equally imaginative Hot Box. The collection features compositions both by the Swedish born Råberg and group improvised pieces. Unlike the Råberg/Grenadier duo outing, the leader's electronic ...

2

Article: Album Review

Phil Grenadier Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by Dave Wayne


The advent of new technologies has enabled musicians to interact in hitherto unheard-of ways. It's routine now to read about recordings that were assembled from sessions recorded by individual musicians in different studios, on different continents. Music composing software has changed the way musicians think about their compositions and opened up new possibilities for the performance ...


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