Home » Jazz Articles » Album Review » Bruno Råberg: Triloka: Music for Strings and Soloists
Bruno Råberg: Triloka: Music for Strings and Soloists
Inspired by South Indian carnatic music, the album immediately cuts to the chase with its enchanting title track, "Triloka," whichnot too surprisinglyhas a threefold structure. The entire album is written for strings only, and despite not having a complete rhythm section at hand, the music proves to be full of energy and groove in pieces such as "Chandra Soma" and "Trilogy For Strings (Part III)." In addition to South Indian music, Råberg's other musical influences include jazz improvisation and Swedish folk music. This equally appropriate ternate concept is displayed beautifully in "Sojourn For Strings," which starts within Western, diatonic harmonies and later ventures out into microtonality, where violinist Layth Sidiq takes a tasteful solo exploring Arabic sounds and colours.
The album draws to a peaceful close with the serene "August Hymnal," in Råberg's words a "tribute to the end of summer, an afterthought and at the same time an anticipation of fall." Triloka is a captivating album with an almost orchestral flair to it; at times dark and foreboding, yet at other times playful and light.
Track Listing
Triloka - Three Realms; Chandra Soma - Bass Intro; Chandra Soma; Wave Play (Vagspel); Sojourn for Strings; Trilogy For Strings: Part I - The Clearing; Part II; Part III - The Meeting; August Hymnal.
Personnel
Bruno Raberg
bass, acousticBruno Råberg: acoustic bass; Vicente Espi: violin; Carlos Felipe Silva: violin; Rob Thomas: violin; Layth Sidiq: violin; Alliz Espi: viola; Daniel Lay: viola; Marta Roma: cello; Mike Block: cello; Naseem Alatrash: cello; Nate Sabbath: acoustic bass; Charles Overton: harp.
Album information
Title: Triloka: Music for Strings and Soloists | Year Released: 2017 | Record Label: Orbis Music
About Bruno Raberg
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






