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Noam Lemish: Erlebnisse
by Troy Dostert
Long a part of the Toronto jazz scene, pianist Noam Lemish hasn't at all been limited to that genre. He has made plenty of jazz recordings, some of the best of which include drummer George Marsh: their self-produced duo album Nightfall (2013) is an especially winning slice of post-bop jazz. But Lemish may be at his ...
Noam Lemish: Erlebnisse
by Dan McClenaghan
Pianist Noam Lemish carries multiple talents in his jam-packed bag of tricks: jazz artist, classical composer, improviser, accompanist. The Toronto- based artist-educator is probably best known for his leader/co-leader work in several different ensembles, including his jazz quartet and a twelve piece chamber jazz orchestra and jazz choir. With 2021's Erlebnisse he pares things down and ...
Beth McKenna: Beyond Here
by Dan McClenaghan
Montreal-based multi-reedist Beth McKenna's Beyond Here proves a few things. One, she is a fine arranger of her original compositions for her jazz quintet. Two: she writes. complex-yet-engaging tunes that often go after the groove. And three: there is an expansiveness--compositionally and production-wise--in her music that could probably transfer nicely to larger ensemble work. She studied ...
Jon Gordon: Stranger Than Fiction
by Hrayr Attarian
Saxophonist Jon Gordon's superb 13th release as a leader, Stranger Than Fiction, consists of 10 cinematic and captivating originals. Gordon leads a large ensemble of mostly Canadian musicians through his vibrantly textured compositions. The focus is more on dynamic interplay of different band members and orchestral segments than on individual expressions. There are, however, brilliantly virtuosic ...
Joel Frahm: The Bright Side
by Hrayr Attarian
Saxophonist Joel Frahm is an accomplished virtuoso with an easily recognizable style. He deftly balances an accessible, mellifluous sound with an explorative spirit. His tenth release as a leader, the captivating The Bright Side, is a collection of ten brilliant originals interpreted in a spare trio setting. The laid back atmosphere and the band's seamless camaraderie ...
Joel Frahm: The Bright Side
by Dan McClenaghan
Chordless trio recordings featuring saxophone, bass and drums, no piano or guitar in the building, always draw comparisons to 1957 when a pair of the groundbreakers of the genre were recorded by saxophonist Sonny Rollins with A Night At The Village Vanguard (Blue Note Records, 1958) and Way Out West (Contemporary, 1957). Saxophonist Joel Frahm obviously ...
Francois Bourassa: L'Impact du Silence
by Dan McClenaghan
Solo piano outings often serve as a baring of the artist's soul. Montreal-based pianist Francois Bourassa does just that on his tenth album, L'impact du Silence. Influenced by the piano artistry of Chick Corea, Brad Mehldau and Bill Evans, Bourassa has concentrated on small ensemble work—trios and quartets—on his previous recordings. Bringing his classical music influences ...
Dan Pitt Quintet: Wrongs
by Troy Dostert
Maybe it's a case of false humility, or a stab at irony, but guitarist Dan Pitt seems to prefer self-deprecating album titles. The Toronto-based musician's 2019 trio release, Fundamentally Flawed (Self-Produced), featured bassist Alex Fournier and drummer Nick Fraser, and his current offering, Wrongs, adds saxophonists Naomi McCarroll-Butler and Patrick Smith to the mix. For an ...
The David Restivo Trio: Arancina
by Dan McClenaghan
The David Restivo Trio's Arancina is all about “home," whether it is pianist Restivo's ancestral home in Sicily, projected with a beautifully-painted homage on his four-part “Sicilian Suite," or his brief home in Nova Scotia with “Raven's Wing," inspired by the dark birds soaring over the Northumberland Strait which separates Nova Scotia from Prince Edward Island. ...
Richard Whiteman: Very Well & Good
by Edward Blanco
One of the finest jazz musicians on the Canadian jazz scene, Toronto-based pianist / bassist Richard Whiteman lays down what he considers, perhaps, his best recording to date on the audacious Very Well & Good. A long established pianist for decades, Whiteman picked up the double bass in 2004 and has not put it down since. ...
