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Jennifer Lee: Quiet Joy
by Woodrow Wilkins
When a vocalist does a collection of standards, it's important to create something that stands out--something that distinguishes his/her recording from so many others. Jennifer Lee comes through in more ways than one. Quiet Joy showcases Lee's versatility as a pianist, guitarist, arranger, composer and singer. This album is mostly comprised of songs written by Brazilian ...
Phil Woods: Philology
by George Kanzler
When pianist Jim McNeely replaced Hal Galper in the Phil Woods Quintet in 1990 it was the current winner--repeating in 1991--of the Downbeat Readers Poll as top jazz small group. But, as McNeely remembers, his first days with the alto saxophonist's band included a benefit concert for the local volunteer fire department in Delaware Water Gap, ...
The Mike Vax Big Band Featuring Alumni of the Stan Kenton Orchestra: Sounds from the Road
by Nicholas F. Mondello
The traveling autobus--the road to the road--has frequently been used as a symbolic metaphor in movies, books, commercials and, of course, songs of all kinds. Bus travel seems to have an oddly romantic element. In the halcyon days of the barnstorming big bands, bus and car travel were the only direct ways to get to the ...
Bill Cunliffe: The Blues and the Abstract Truth at Jazz Standard (NYC) Tonight
Bill Cunliffe: The Blues and the Abstract Truth Jazz Standard 116 East 27th Street (Between Park / Lexington) New York, NY 10016 212-576-2232 7:30 PM EDT | 6:45 PM DOORS Dick Oatts – saxophone Bob Sheppard – saxophone Claudio Roditi – trumpet Luis Bonilla – trombone Christian Howes – violin ...
Sarah DeLeo: I'm In Heaven Tonight
by C. Michael Bailey
On The Nearness of You (Self Produced, 2006), vocalist Sarah DeLeo exhibited her diaphanous, spherical voice on a collection of off-the-beaten path standards, all well suited to her most welcome, conservative vocal style. She does not veer far from this approach on I'm In Heaven Tonight, again choosing songs that have not been thoroughly ...
Bill Cunliffe's "The Blues & the Abstract Truth, Take 2" CD Release Party - March 5
Bill Cunliffe “The Blues and the Abstract Truth, Take 2" CD Release Party at April Williams' Upstairs at Vitellos Oliver Nelson (1932-1975) was a saxophonist, arranger, and composer who seemed everywhere in the 1960s. In popular culture, Nelson is best remembered for his television scoring for shows including Ironside, Night Gallery, Columbo, The Six Million Dollar ...
Vaughn Wiester / Doncaster Jazz Orchestra / Kluvers Big Band / Mike Holober & the Gotham Jazz Orchestra
by Jack Bowers
Vaughn Wiester's Famous Jazz Orchestra Dreams Come True COJazz 2009 If you're going to dream, you may as well dream big, in glorious Technicolor with stereophonic sound. As Vaughn Wiester knows, there are times when Dreams Come True. Wiester's vision of leading his own big band is a ...
Pianist/Arranger Bill Cunliffe Revisits a Jazz Classic with "The Blues and the Abstract Truth, Take 2"
With his new album, The Blues and the Abstract Truth, Take 2, pianist Bill Cunliffe doesn’t so much reinvent a modern jazz classic as open it for incisive interpretation. Working with clean, uncluttered arrangements and a stellar cast of improvisers, Cunliffe explores Oliver Nelson's beloved 1961 album for Impulse! And the results are consistently riveting. Putting ...
Bill Cunliffe: The Blues and the Abstract Truth, Take 2
by C. Michael Bailey
Bill Cunliffe The Blues and the Abstract Truth, Take 2 Resonance Records 2008Oliver Nelson (1932-1975) was a saxophonist, arranger, and composer who seemed everywhere in the 1960s. In popular culture, Nelson is best remembered for his television scoring for shows including Ironside, Night Gallery, Columbo, The Six Million ...
Kenny Burrell: Mr. Good Notes
by Russ Musto
“I'm just trying to play the good notes," says Kenny Burrell, lighthearted laughter accompanying his response to the question of how he would characterize his style of guitar playing. The reply betrayed the genial humility that has long distinguished him as one of the music's truly gracious gentlemen. Burrell has been playing the “good notes" for ...
