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Espen Eriksen Trio with Andy Sheppard: As Good As It Gets
by Chris May
Norway's Espen Eriksen Trio is the first Scandinavian piano trio to enjoy a measure of sustained international success since Sweden's Esbjörn Svensson Trio's high-profile run was cut short by Svensson's death in 2008. While some listeners thought that EST's style was becoming over-codifed during its final years, EET still sounds box fresh thirteen years and many ...
Matthew Halsall: An Ever Changing View
by Chris May
Based in the northern English city of Manchester, trumpeter Matthew Halsall debuted on record in 2008 with Sending My Love (Gondwana), a stylish take on the meditative end of the spiritual jazz of Alice Coltrane and Pharoah Sanders. Halsall's emergence pre-dated by over half a decade that of the London alternative scene vanguarded by musicians such ...
Kaidi Tatham: The Only Way
by Chris May
The Belfast-based DJ and broken-beat pioneer Kaidi Tatham travels a parallel orbit to that of the London-based DJ Ash Walker. Both are loosely associated with Britain's alternative jazz scene. Both draw on a similar patchwork of influences, including hip hop, rap, techno, old school jazz-funk and modern Brazilian dance music. Both approach the recording studio as ...
Ash Walker: Astronaught
by Chris May
London DJ Ash Walker came to attention in 2019 with Aquamarine (Night Time Stories), a butterlicious mix of jazz, blues, soul, funk and dub reggae that was beyond categorisation. Astronaught is the follow-up, cut from the same cloth. Like its predecessor, it is by no stretch of the imagination a “jazz" album, however ...
Makaya McCraven: In The Moment to In These Times
by Rob Garratt
Makaya McCraven needs a coffee--fast. It's 4pm and he's crashing. It will be his third of the day. His first caffeine hit, consumed on stage six hours earlier, was a chemical necessity; McCraven was drinking at a nearby Irish pub until the early hours and nearly missed his early morning panel talk appearance alongside fellow percussion ...
Stan Tracey Quartet: Jazz Suite Inspired By Dylan Thomas' Under Milk Wood
by Chris May
Pianist and composer Stan Tracey's Under Milk Wood, released in 1966, was among the first albums to prove that British jazz could, on a good day, stand as tall as its American parent. Over a decade would pass, however, before that fact was widely accepted by jazz lovers in either America or Britain. Indeed, it is ...
Scott Flanigan: Walking On Clouds
by Ian Patterson
The challenge for any jazz musician is to find a personal voice. Acquiring the language of jazz through countless hours of listening to recordings, through practicing and gigging is not the issue. It is doing so without being shackled to another's style. When Charlie Parker was in his pomp, few saxophonists of the time ...
Roberto Ottaviano: sul palco e dietro le quinte
by Libero Farnè
È estremamente opportuno tornare periodicamente ad analizzare le esperienze più recenti di musicisti di grande personalità del panorama jazzistico italiano. Uno di questi è dagli anni Ottanta Roberto Ottaviano, che esordì discograficamente nel 1983 con Aspects, un lavoro rivelatore, in solo e in sestetto, di una potenza espressiva e di una creatività sconvolgenti. Dopo ...
Nubya Garcia & Shabaka Hutchings Meditate Together On Bitches Brew
by Chris May
New releases from London doff the hat to two 20th century American masterpieces. Both of the new albums feature tenor saxophonists Nubya Garcia and Shabaka Hutchings, playing alongside each other and kicking up a storm alongside other luminaries of the London scene. The double album London Brew (Concord) is to be released on ...
Graham Collier: Down Another Road @ Stockholm Jazz Days ’69
by Chris May
In 1969, when the composer and bassist Graham Collier took his sextet to Stockholm Jazz Days to give a live performance of their album Down Another Road (Fontana, 1969), the presence of a British band onstage at a European jazz festival was exceptional. The idea that British musicians would one day have their names on the ...
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