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Musician

Norman Connors

Born:

33

Article: Extended Analysis

The First Generation 1965-1974

Read "The First Generation 1965-1974" reviewed by John Kelman


What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...

26

Article: Interview

Mark Ruffin: Bebop Fairy Tales

Read "Mark Ruffin: Bebop Fairy Tales" reviewed by Seton Hawkins


Celebrating 40 years as a jazz broadcaster, music producer, and writer this year, Mark Ruffin--perhaps best known as the program director for the Real Jazz channel on SiriusXM --stands as one of jazz's unsung heroes. Countless artists owe their career successes and prominence to his tireless efforts, boundless enthusiasm and advocacy, and encyclopedic knowledge of the ...

8

Article: Album Review

Sam Rivers: Emanation

Read "Emanation" reviewed by John Sharpe


This unissued 1971 live date from the Jazz Workshop in Boston is the first in a projected eight volume series sourced from the personal archive of the multi-instrumentalist Sam Rivers, who died in 2011. It captures Rivers with his trio of the period, completed by bassist Cecil McBee and drummer Norman Connors, over two freewheeling sets. ...

4

News: Performance / Tour

South Bend Jazz Festival Returns For Its 7th Year For Two Dates. Friday, October 5th & Saturday, October 6th

South Bend Jazz Festival Returns For Its 7th Year For Two Dates. Friday, October 5th & Saturday, October 6th

Friday, October 5th and Saturday, October 6th @ Century Center: 5:00 – 11:00 pm We start off with a Festival Night at Merriman’s Playhouse, October 4th @ 8:00 pm Festival Tickets are $15.00 available @ instantseats.com and $18 @ Door. You can purchase a ticket for both nights for $25. Party to World Class ...

10

Article: Catching Up With

Onaje Allan Gumbs: Dare To Dream

Read "Onaje Allan Gumbs: Dare To Dream" reviewed by La-Faithia White


Onaje Allan Gumbs is a New York based pianist, composer, lyricist, and bandleader. Gumbs' professional career began in 1971 when Leroy Kirkland introduced him to Kenny Burrell, by sharing a demo tape. The next day Gumbs received a phone call to play with Burrell at Baker's Keyboard Lounge in Detroit. Onaje, (Gumbs) talks about the beginnings ...

7

Article: Album Review

Norman Connors: Love From The Sun

Read "Love From The Sun" reviewed by Chris May


Love From The Sun is the last unalloyed jazz album recorded by drummer, composer and bandleader Norman Connors under his own name, before he changed course towards R&B and then descended--yes, let us embrace a judgemental moment--into the quagmires of disco and smooth jazz. In autumn 1973, when this album was recorded, Connors, who had made ...

Article: Album Review

Theo Croker: Escape Velocity

Read "Escape Velocity" reviewed by Angelo Leonardi


A distanza di due anni da Afro-Physicist, Theo Croker incide con la nuova formazione DVRK FUNK mostrando di avere ancora idee da sviluppare nel connubio tra bop, soul, funk e fusion. Come sappiamo è un terreno quanto mai affollato e catturare l'attenzione degli ascoltatori non è facile. Ma ci riesce, confermando il suo talento di solista, ...

1

News: Advocacy

Support Jazz in Philadelphia... Win a Tablet!

Support Jazz in Philadelphia... Win a Tablet!

Since the Fall of 2014, Philadelphia Jazz Project and our partner, Jazz Near You / All About Jazz have been engaged in a campaign to remind Jazz fans of the vibrancy of the music, as well as introduce new audience members to the wonders of Jazz & Grown Folks Music. Our goal is to develop a ...

6

Article: Album Review

Mark Lomax Trio: Isis and Osiris

Read "Isis and Osiris" reviewed by Dave Wayne


Record collectors and DJs are fond of the term “spiritual jazz." Like most colloquialisms, its meaning is nebulous and vague; more emotional than factual, more indicative of a feeling that the music projects, as opposed to a distinct lineage or coterie of musicians. For many, the term refers to jazz that incorporates African and Middle Eastern ...


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