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921

Article: Interview

Fred Frith: Mapping the Further Reaches

Read "Fred Frith: Mapping the Further Reaches" reviewed by Nic Jones


Multi-instrumentalist/composer Fred Frith occupies a unique niche. As a charter member of Henry Cow, a band for which improvisation was always an integral part of musical expression, he was partly responsible for some of the most radical music ever to have emerged from beneath the rock umbrella.So much so, in fact, that ...

353

Article: Album Review

Sylvie Courvoisier – Mark Feldman Quartet: To Fly To Steal

Read "To Fly To Steal" reviewed by Nic Jones


Between the membership of this quartet (Mark Feldman, Sylvie Courvoisier, Thomas Morgan, and Gerry Hemingway) embodies the twenty-first century improvising musician. All four members have recorded before and in a variety of situations of wide diversity. They bring all of the experience this implies to a program that stakes out its own territory, and from start ...

256

Article: Album Review

Iron Kim Style: Iron Kim Style

Read "Iron Kim Style" reviewed by Nic Jones


It could be argued that the music Miles Davis was cutting about forty years ago still casts a shadow. Iron Kim Style stands in its shade, and for all of the original, offbeat stuff going on it's hard to shake the impression. According to the slipcase, all the music was freely improvised, which might be a ...

223

Article: Album Review

Beppe Crovella: What’s Rattlin’ On The Moon? A Personal Vision Of The Music Of Mike Ratledge.

Read "What’s Rattlin’ On The Moon? A Personal Vision Of The Music Of Mike Ratledge." reviewed by Nic Jones


The sub-title makes all the difference here. Mike Ratledge was a key member of all the most worthwhile line-ups of Soft Machine, but alone amongst the quartet that consisted of himself, Elton Dean, Hugh Hopper and Robert Wyatt, he didn't go on to develop a solo career once he left the band. This and the passing ...

337

Article: Album Review

Little Women: Throat

Read "Throat" reviewed by Nic Jones


Little Women spans the divide between the primitive and the sophisticated in a manner that's true of so few. For this, its second release, it's useful to offer pointers such as Albert Ayler and Peter Brotzmann (whose “Machine Gun" is particularly pertinent in terms of sonic assault), but they serve merely to place what this quartet ...

180

Article: Album Review

Michael Musillami Trio: Old Tea

Read "Old Tea" reviewed by Nic Jones


Guitarist Michael Musillami composed the music for this program in the wake of his son Evan's death. The fact that it's measured and profoundly beautiful is testament to what music can do, and the fact that it's so superbly realized comes down to the fact that this trio is supremely empathetic. Five recordings to date are ...

340

Article: Album Review

Various Artists: Django’s Spirit. A Tribute To Django Reinhardt

Read "Django’s Spirit. A Tribute To Django Reinhardt" reviewed by Nic Jones


Any tribute to a musician as phenomenal as Django Reinhardt leaves itself open to criticism, so all embracing was the guitar icon's ability to push at the boundaries, still felt to this day. Django's Spirit. A Tribute To Django Reinhardt isn't so much in Reinhardt's spirit as it is an attempt at bringing his work up ...

352

Article: Album Review

Elliott Sharp / Carbon: Void Coordinates

Read "Void Coordinates" reviewed by Nic Jones


This is a reconvening for Elliott Sharp and his cohorts in Carbon--a band that spanned the period between 1991 and 1996--but anyone familiar with the guitarist's work will quite rightly take it for granted that this reunion has not resulted in the same old same old. If it has, in any degree, it's only as a ...

388

Article: Album Review

David S. Ware: Saturnian (Solo Saxophones Volume One)

Read "Saturnian (Solo Saxophones Volume One)" reviewed by Nic Jones


This entirely solo music was captured for posterity at an AUM Fidelity label showcase in October, 2009; Ware's first live performance after a kidney transplant. Marking a dynamic return, it maps out yet another strand of Ware's artistry just as Threads (Thirsty Ear, 2003) did. Ware may be best known for his quartet work, it's clear ...

374

Article: Album Review

Mark Lockheart & the NDR Big Band: Days Like These

Read "Days Like These" reviewed by Nic Jones


Considering the instrumental forces that the big band offers, it's surprising how conservative a lot of large ensemble writing is. Days Like These isn't iconoclastically innovative, but there's enough on offer to satisfy those who find such conservatism tiresome. Saxophonist Mark Lockheart clearly appreciates what he has at his disposal for all of the relatively conventional ...


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