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6

Article: Album Review

Adison Evans: Hero

Read "Hero" reviewed by Hrayr Attarian


In the span of mere 5-6 years saxophonist Adison Evans has forged a versatile career. Her approach to all genres of popular music and jazz has the same exuberant spirit and impeccable musicianship. Hence she embodies the oft quoted, or rather misquoted, genre defying adage “There are only two kinds of music good and bad" and ...

Article: Album Review

Thad Jones-Mel Lewis Orchestra: All My Yesterdays

Read "All My Yesterdays" reviewed by Angelo Leonardi


La Resonance Records ha appena pubblicato (in un lussuoso cofanetto di due CD più un libro di 92 pagine), le primissime incisioni della Thad Jones-Mel Lewis Orchestra, riprese al Village Vanguard il 7 febbraio e il 21 marzo 1966. Sono trascorsi 50 anni dalla nascita della formazione e, agli inizi di febbraio, lo storico ...

8

Article: Album Review

Dayeon Seok: Blurry Day Starry Night

Read "Blurry Day Starry Night" reviewed by Mark Sullivan


Korean-born drummer Dayeon Seok (who now lives in New York) is open to a wide variety of jazz and improvisational music. Seok came to the United States in 2008, earning a Bachelor's degree at Berklee College of Music in Boston and a Master's degree at New York University (NYU). This EP presents three impressionistic originals, lyrical ...

7

News: Education

The Best 2016 Jazz Summer Program: 12 Workshops + 24 Teachers + 120 Musicians + 42 Days Of Music; It's All Happening At The New York Jazz Workshop

The Best 2016 Jazz Summer Program: 12 Workshops + 24 Teachers + 120 Musicians + 42 Days Of Music; It's All Happening At The New York Jazz Workshop

From July 18th to August 28th, in the heart of Times Square, the New York Jazz Workshop's 8th summer series will feature the whos who of jazz music with Alan Ferber , Amina Figarova, Ari Hoenig, Chris Washburne, Dan Weiss, Dave Liebman, Dave Scott, Fay Victor, Frank Kimbrough, Jacob Sacks, Jocelyn Medina, John O’Gallagher, Kenny Wessel, ...

6

Article: Album Review

Thad Jones and Mel Lewis: All My Yesterdays: The Debut 1966 Recordings at the Village Vanguard

Read "All My Yesterdays:  The Debut 1966 Recordings at the Village Vanguard" reviewed by C. Michael Bailey


Offering: Live at Temple University (Resonance Records, 2014), Getz/Gilberto '76 (Resonance Records, 2016), Moments in Time (Resonance Records, 2016)...and these are just the most recent (not to forget several Wes Montgomery) releases. Resonance Records steps up (again) and releases what can only be considered the apotheosis of live jazz performance, All My Yesterdays: The Debut 1966 ...

81

Article: Catching Up With

Ben Monder: Amorphous Music

Read "Ben Monder: Amorphous Music" reviewed by Nenad Georgievski


Ben Monder is a guitarist with a singular and influential voice. While he has received a great acclaim for his multifaceted work and unparalleled technical facility, Monder has also demonstrated remarkable breadth both as a bandleader and composer. His debut album for ECM Amorphae is a kind of a movie for one's ears. Amorphae consists of ...

4

Article: Album Review

Svetlana and the Delancey Five: Night at the Speakeasy

Read "Night at the Speakeasy" reviewed by C. Michael Bailey


The name Svetlana and the Delancey Five sounds like a Cold War cadre of marauding spies. Moscow-native Svetlana Shmulyian is the real article and brings a certain “other-worldness" to a jazz repertoire existing somewhere between 1920 and the Rapture. The band's Night at the Speakeasy is their debut for the West Coast OA2 Record label. With ...

8

Article: Extended Analysis

Ryan Keberle & Catharsis: Azul Infinito

Read "Ryan Keberle & Catharsis: Azul Infinito" reviewed by Dan Bilawsky


While the blues is a distinctly American creation, formed, fueled, and furthered by the African diaspora, the United States holds no ownership on blue-streaked sounds. They exist beyond our borders, and Azul Infinito makes that case in artful fashion by simultaneously tapping into various South American musical forms and cultures, reshaping them, and highlighting the color ...

9

Article: Live Review

Keith Jarrett at Carnegie Hall

Read "Keith Jarrett at Carnegie Hall" reviewed by Tyran Grillo


Keith Jarrett Carnegie Hall New York, NY February 9, 2016 Watching fans eagerly photographing a player-less piano, as if in hopes of visualizing forces only Keith Jarrett can translate at the keyboard, I couldn't help wondering what it was all for. Neither could he. Anticipations were nevertheless ...

9

Article: Album Review

William Hooker: Light

Read "Light" reviewed by John Sharpe


Light constitutes another welcome instalment from the back pages of NYC free jazz by the Lithuanian No Business imprint, following on from Jemeel Moondoc's Muntu Recordings (2009), Commitment's Complete Recordings 1980/1983 (2010) and William Parker's Centering: Unreleased Early Recordings 1976-1987 (2012) box set, among others. The label has released some of drummer William Hooker's most accomplished ...


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