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524

Article: Live From New York

May 2010

Read "May 2010" reviewed by AAJ Staff


Adam Lane Brooklyn LyceumBrooklyn, NY April 14, 2010While bassist Adam Lane's Full Throttle Orchestra is named to conjure up great size and bombast, at present it's a compact sextet whose sonic inventory includes passages of nuance and overall calm. With a Bay Area lineup, Lane has released No(w) Music (Cadence, ...

152

News: Performance / Tour

Nate Wooley Quintet to Perform Hands Together at Douglass Street Music Collective May 24th, 2010

Nate Wooley Quintet to Perform Hands Together at Douglass Street Music Collective May 24th, 2010

The Nate Wooley Quintet will be the featured performers at one of Brooklyns greatest new underground venues for jazz music on May 24th. The quintet, which premiered last year at The Stone, highlights compositions of its leader, Nate Wooley for his trumpet with the support of Matt Moran on vibraphone, Josh Sinton on bass clarinet, Eivind ...

726

Article: Profile

Harris Eisenstadt

Read "Harris Eisenstadt" reviewed by Clifford Allen


One normally thinks of the drummer-bandleader chair in this music as easily given to a mentality that embraces “more is more." Whether bombastic or just plain full, drummers' bands often focus on mass, rhythm and time. In the post-free arena, leaders like Gerry Hemingway, John Hollenbeck and Harris Eisenstadt have learned not only that every instrument ...

Album

Seven Storey Mountain

Label: MNÓAD
Released: 2009

Album

Throw Down Your Hammer And Sing

Label: Porter Records
Released: 2009
Track listing: Tacones Altos; Sans Aluminumius; Souther Ends Of The Earth; Saint Mary; Anywhere Anyplace At All.

356

Article: Multiple Reviews

Transit: Quadrologues & Nate Wooley: The Seven Storey Mountain

Read "Transit: Quadrologues & Nate Wooley: The Seven Storey Mountain" reviewed by Clifford Allen


The work of trumpeter Nate Wooley falls into a number of camps: free improvisation, experimental noise or restructuralist post-bop. It would be easy to lump him in with a young trumpeters/ extended techniques setting but Wooley is decidedly an individual. And while brass players tend to elicit an expected bravura, Wooley is very much at home ...

410

Article: Multiple Reviews

Clean Feed Records: Eat the Plate

Read "Clean Feed Records: Eat the Plate" reviewed by Mark Corroto


Clean Feed records, founded in 2001, has been the most prolific and adventurous label for jazz this new century. Based in Lisbon, Portugal their offerings have included many of jazz's old guard including reed players Evan Parker, Paul Dunmall, Charles Gayle, Vinny Golia and Anthony Braxton and trumpeters Dennis Gonzalez and Herb Robertson, along with current ...

1,398

Article: Interview

Harris Eisenstadt: From Mbalax to Canada Day

Read "Harris Eisenstadt: From Mbalax to Canada Day" reviewed by Clifford Allen


Over the past decade, drummer, bandleader and composer Harris Eisenstadt has been a force in improvised music, active in both Los Angeles and New York (where he now resides). It's a testament to his creativity and energy that his ensembles have run the gamut from free-bop in the vein of post-Blue Note small groups, to orchestral ...

346

Article: Album Review

Harris Eisenstadt: Canada Day

Read "Canada Day" reviewed by Clifford Allen


Drummer and composer Harris Eisenstadt has, at age 33, a rather lengthy discography and one that's incredibly diverse for a drummer who could have stuck to cutting teeth as an able sideman in contemporary improvisation. As a leader, his story is even more expansive, running the gamut from Senegalese Mbalax to free-bop. Canada Day is a ...

282

Article: Album Review

Harris Eisenstadt: Canada Day

Read "Canada Day" reviewed by Troy Collins


A consummate example of the traveling musician, Canadian-born composer/percussionist Harris Eisenstadt's journeys have taken him from a long-term residency on the West Coast (with frequent trips to Chicago) to multiple trips abroad to study drumming in West Africa before relocating to New York. The majority of Eisenstadt's releases have been documents of singular projects; ad-hoc ensembles ...


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