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999

Article: Interview

Chuck Anderson: Guitar Reemergence

Read "Chuck Anderson: Guitar Reemergence" reviewed by Victor L. Schermer


Chuck Anderson's guitar artistry is a cut above the jazz standard. The quality of his execution is so fine that on first hearing, it is literally stunning. His recent CD, Freefall (Dreambox Media, 2010) consists of musical gems--all-original compositions, woven into a tapestry worthy of a master classical guitarist. Yet it is all straight-ahead mainstream jazz ...

186

News: Interview

Interview: Nancy Wilson (Part 5)

Interview: Nancy Wilson (Part 5)

In 1966, a shift began in Nancy Wilson's choices for Capitol. Like many pop-jazz artists who were striving to stay current in a market overrun by young radio-listening record-buyers, Nancy began to include rock and soul hits of the day. But unlike most pop artists who awkwardly tried to seem with it, Nancy was naturally comfortable ...

238

News: Interview

Interview: Nancy Wilson (Part 4)

Interview: Nancy Wilson (Part 4)

As Nancy Wilson's visibility and popularity grew in the early 1960s, so did her workload. In the days before scandals were built into marketing plans and stadium concerts provided artists with instant mass exposure, pop singers had to work tirelessly in hotel supper clubs and recording studios. They also hoped their singles would win AM-radio airplay ...

244

News: Interview

Interview: Nancy Wilson (Part 3)

Interview: Nancy Wilson (Part 3)

No other jazz-pop singer is as fluent in post-War American music as Nancy Wilson. She has always understood that a Tin Pan Alley standard requires a different approach and attitude than a jazz standard and that Broadway showstoppers have a different sound than a pop, rock or soul hit. Remarkably, Nancy approaches each genre with a ...

202

News: Interview

Interview: Nancy Wilson (Part 2)

Interview: Nancy Wilson (Part 2)

Nancy Wilson's eyes and eyebrows are a big part of her act. From a young age, Nancy intuitively knew how to use them to dramatic effect, allowing her to put more meaning behind a song's lyrics than the original lyricist probably intended. In a single song, Nancy's eyes convey confidence, innocence, vulnerability and passion. But just ...

121

News: Interview

Interview: Nancy Wilson (Part 1)

Interview: Nancy Wilson (Part 1)

Nancy Wilson is the last great female song stylist of the 1950s and the first American female pop-soul singer of the 1960s. Though she began by performing locally in her hometown in the 1950s, her Capitol career started at the tail end of 1959, just as one era was ending and another was beginning. Throughout the ...

664

Article: Record Label Profile

Resonance Records: Non-Profit Jazz Label with a Mission

Read "Resonance Records: Non-Profit Jazz Label with a Mission" reviewed by Samuel Chell


It's a story often heard before: musically, these are the best and worst of times. Only this time, in 2010, it seems different. Even as the pool of fresh talent expands, jazz continues to witness a dearth of venues along with the slump in CD sales. Uncounted numbers of talented musicians, young and otherwise, are reduced ...

565

Article: Take Five With...

Take Five With Connie Lansberg

Read "Take Five With Connie Lansberg" reviewed by AAJ Staff


Meet Connie Lansberg: Connie Lansberg is a singer/songwriter who performs original folk/pop-jazz and smooth jazz. She is a vocal interpreter of the wonderful stories told by the American Songbook and beyond. She uses her voice in such a way as to reveal and tease out even the most subtle of nuances that define these ...

96

News: Birthday

Jazz Musician of the Day: Nancy Wilson

Jazz Musician of the Day: Nancy Wilson

All About Jazz is celebrating Nancy Wilson's birthday today! JAZZ MUSICIAN OF THE DAY Nancy WilsonNancy Wilson’s musical style is so diverse that it is hard to classify. Over the years her repertoire has included pop style ballads, jazz and blues, show tunes and well known standards. Critics have ...

17

Video

My Shining Hour & A Song For You

Featuring the music of Nancy Wilson
Duration: 6:10

A pair of songs from Nancy Wilson circa 1988. Llew Matthews on keyboards, Roy McCurdy on drums and John B. Williams on bass.

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