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Doc: On the Road With Duke
In 1967, director Robert Drew spent quality time with Duke Ellington while the bandleader was on tour with his orchestra in the U.S. The result was On the Road With Duke Ellington, an astonishing 58-minute documentary first shown in 1974, the year of Duke's death. An intimate, musical look at one of the most important jazz ...
Bob Freedman: Jazz Themes
Bob Freedman was a wonderful arranger and ardent JazzWax reader. His finest arrangement was And We Listened for Maynard Ferguson's A Message From Newport (1958). He finest album was the little-known Jazz Themes From Anatomy of a Murder. The album was recorded at Boston's Ace Studios for the Coronet label in 1959—the same year Otto Preminger's ...
Jazz Promo Services Begins Its 20th Year Of Serving The Jazz Community
Ever since it was formed in 2001, Jazz Promo Services has been an important force in publicizing the music, events and news of the jazz world. Among the pioneers and innovators in utilizing E-mails for publicity (he can contact virtually anyone in the jazz and music industry), Jim Eigo works with hundreds of clients each year ...
Doc: Jack Sheldon, 2008
Who was Jack Sheldon and why does he matter? Part of the answer can be found in Trying to Get Good: the Jazz Odyssey of Jack Sheldon, a documentary released in 2008. Produced by Doug McIntyre and Penny Peyser, the film is part biography, part confessional and part intervention as Sheldon and his music colleagues shed ...
Tutti's Trumpets and Trombones
Brass heads, listen up. If you aren't familiar with the two albums I came across yesterday, you'll be thanking me by the end of this post. The albums are Tutti's Trumpets (1957) and Tutti's Trombones (1966). Tutti was Salvador Tutti" Camarata—co-founder of London Records, the American arm of English Decca. He also was co-founder of Disneyland ...
Have You Met Inez Jones?
Mention West Coast jazz and you probably think of musicians such as Chet Baker, Bud Shank, Art Pepper, Russ Freeman, Conte and Pete Candoli, Shelly Manne, Lou Levy and Jack Sheldon. What do they all have in common? They were all white. Not that there's anything wrong that. But in Los Angeles in the 1950s, there ...
Rounding up the "Best Jazz of 2019" lists
It's that time of year again, as jazz journalists, DJs, critics, podcasters, and bloggers are publishing their annual Best Of" lists. And once again, for the 13th consecutive year, St. Louis Jazz Notes eschews the compilation of such a list, instead offering readers a meta-list with links to all of the other Best Jazz of 2019" ...
Stan Kenton: Back to Balboa
Back in the early 1980s, I headed out to Los Angeles to visit a friend in Huntington Beach for a few days. For the summer trip—my first to the L.A. area—I packed my Sony Walkman and a bunch of West Coast jazz cassettes. The tapes weren't to entertain. My motive was more anthropological. I wanted to ...
Roberto Magris: Sun Stone
Roberto Magris is an Italian jazz pianist with a fondness for drama. His albums always explode in stormy excitement and robust flavor. His latest release, Sun Stone, was recorded with his sextet at the Hit Factory in Miami in 2017 and features Shareef Clayton (tp), Ira Sullivan (as,sop,fl), Mark Colby (ts), Roberto Magris (p), Jamie Ousley ...
Artie Shaw: Love of My Life
Artie Shaw's first feature-length film was Second Chorus, in 1940. By then, the 30-year-old clarinetist was earning up to $60,000 a week ($1.1 million in today's dollars), becoming the best-paid and most celebrated music star of the swing era. That same year, he recorded his massive hit Frenesi with a pickup orchestra, married actress Lana Turner ...


