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12

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

Mr. P.C.'s Best of 2013

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Dear Mr. P.C.: I was playing at a club in town, a pretty fancy place, the gig all the guys in town want. On the break a pretty woman in the audience came up to me and complimented my playing. So far so good! But then she asked if I play professionally--right in the ...

7

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

November 2013

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Dear Mr. P.C.: When is it okay to sub out a gig if I get called for a better one? -- Holding Out, Eagerly Dear HOE: Here's the problem: If you take the better gig, who's to say that you won't get called for one even better than ...

9

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

October 2013

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Dear Mr. P.C.: What do musicians mean when they say they're “using space" in their solos? --John H. Dear John: Obviously if they're “using" space, they're doing something to it. And in music, pretty much the only thing you can do to space is fill it with a ...

9

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

September 2013

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Dear Mr. P.C.:Is playing ahead of your time the same thing as rushing? Gregg B.C.Dear Gregg:What a great brainteaser! Look, if you're someone who rushes, then rushing is “your time," right? You can try playing ahead of it, but you'll soon catch up with yourself. The only way you can ...

10

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

August 2013

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Dear Mr. P.C.:Why do guys want to play tunes really fast? Like, I'll call “It Could Happen to You," but instead of having a nice swinging groove they want to play it at 280 beats per minute or something. Then they say it's an “east coast" thing, which I guess is supposed to mean ...

6

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

July 2013

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Dear Mr. P.C.:Why does it seem like the better the music is on a gig, the less it pays? - Aiden Dear Aiden:Well, obviously, better music is more “fun," and therefore less work. The less work you're doing, the less you should get paid.What part of that don't ...

4

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

June 2013

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Dear Mr. P.C.:Is it really important to play fast on your solos? Michael T., St. Louis Dear Michael:Actually, it's more important to look like you're playing fast. This is the video era, and the people who demand note athleticism are the same ones who'd rather watch music than listen to ...

9

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

May 2013

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Dear Mr. P.C.:I bought an acoustic bass guitar that you can also plug in and my son and I have been playing a lot of pop songs together taking turns on the bass and guitar. I know this is a stereotype that upsets bassists and I'm sure it's hard to play really well, but... ...

8

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

April 2013

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Dear Mr. P.C.:I hate it when people add all those extra chromatic chord changes on “I Can't Get Started," like in bar three starting on a B minor seventh. What a pointless pain in the ass! I Can't Keep Going Dear ICKG:You know those speed bumps they put on some ...

4

Article: Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum

March 2013

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Dear Mr. P.C.: Sometimes when I quote tunes, I get stuck on them, and forget what I was playing to start with. Jeff Dear Jeff:Getting “stuck" on a quote means you believe, at some important unconscious level, that the song you're “quoting" is better than the one you've been playing. ...


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