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Royce Campbell: Solo Trane
by Jack Huntley
There are some albums which, on the very first listening, create an immediate auditory union with the musician. Credit ability, musicality, interpretation, song choice, or a blending of each, Royce Campbell's solo guitar tribute to the music of John Coltrane, Solo Trane, is one of those albums. It crackles with energy and creative force as Campbell ...
The Bobby Matos Latin Jazz Ensemble at the Saville Theater
by Robert Bush
Bobby Matos Latin Jazz EnsembleSaville Theater, San Diego City CollegeSan Diego, CAJune 29, 2010 Tuesday's concert was another excellent installment in the “Jazz Live" series, promoted and co-sponsored by San Diego City College and one of the few true jazz radio station's left in our country, KSDS Jazz 88. Once a month during ...
The Derek Trucks Band: Roadsongs
by Doug Collette
A full-length extension of the previously issued EP, Already Live (Victor, 2009), and a more than worthy successor to Live At the Georgia Theatre (Sony Legacy, 2004), Roadsongs accurately summarizes the evolution of The Derek Trucks Band over its sixteen-year existence. Recorded at Chicago's Park West, the site of the group's concert DVD Songlines (Legacy, 2006), ...
Tim Hagans: Trumpet and Musical Elegance
by R.J. DeLuke
Trumpeter Tim Hagans, it appears at times, can almost fly under the radar. His splendid playing has been heard in a variety of contexts over the years, always creative, expressive, expansive. Maria Schneider expresses glee when he's able to be a part of her orchestra and help interpret her musical creations. He's been part of the ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
Paquito Hechavarria: Frankly
by Dan Bilawsky
Pianist Francisco “Paquito" Hechavarría might be best known for his work on Gloria Estefan's “Conga," but that record barely scratches the surface in showing what he's capable of playing. Smoking tumbao-based patterns seem to be embedded in his musical DNA: Hechavarría grew up in pre-Castro Cuba and soaked up the rhythms and sounds of his native ...
Tessa Souter: Obsession
by Joel Roberts
New York-based, British-born Tessa Souter is a jazz singer with interests far outside the jazz world. On Obsession, Souter mostly shuns well-trodden standards and classic jazz fare in favor of a varied set of rock, pop and Brazilian tunes. With her rich contralto and crystal-clear diction, Souter delivers lyrics with a theatrical, but ...
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
Roger Rosenberg: Baritone Madness
by John Coltelli
It was a late morning in a junior high school located in Long Beach, New York when a lonely, rarely used baritone saxophone chose an adolescent student named Roger Rosenberg as its sole and rightful owner. Moved by his music teachers' offer that whoever was willing to learn the instrument could own it, the youthful student ...
Johnny Conga: Breaking Skin
by Raul d'Gama Rose
Johnny Conga comes from a long line of illustrious tumbadora (conga) players. From the musical evidence on Breaking Skin, this genealogy may begin with the likes of Chano Pozo, Mongo Santamaria, Tata Guines, Candido, Armando Peraza and Francisco Aguabella. Lest there be a scream of “blasphemy," it bears mention that Conga stylistically connects the ancient with ...
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