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Sonny Rollins + Thelonious Monk

One of jazz's big turning points came on October 25, 1954, when Sonny Rollins altered the direction of the tenor saxophone at Rudy Van Gelder's studio in his parents' Hackensack, N.J., house. The session for Prestige featured Sonny, Thelonious Monk on piano, Tommy Potter on bass and Art Taylor on drums. Up until then, Sonny's sound ...
Agustí Fernández/Barry Guy/Ramón López: A Moment's Liberty

by Mark Corroto
The term elegance," is rarely utilized when referring to a jazz recording. In fact, elegant jass"might be an oxymoronic term. Sure, The Modern Jazz Quartet always performed in formal wear, and Duke Ellington evoked gracefulness in response to his advertised jungle music," but jazz has always bumped up against the high brow ceiling of more orthodox ...
Christian McBride: People Music - Out Here

by Luigi Sforza
Di Christian McBride colpisce l'energia, la presa di coscienza dei propri mezzi espressivi e il modo in cui riesce a plasmare la scoppiettante materia sonora che suona, ovvero un miscuglio proficuo di post-bop e cantabile modern jazz. A due anni di distanza da The Good Feeling il contrabbassista afroamericano torna con due dischi, uno, ...
Dan Loomis: On The Wee Trio and "Live At The Bistro"

by Fiona Ord-Shrimpton
The Wee Trio, comprising Dan Loomis: bass; James Westfall: vibraphone; Jared Schonig: drums, are a band to keep looking out for. Having released four impressive albums already, including the recent, Live at the Bistro, their star continues to burn slowly--as all true stars are bound. The Wee Trio is a component of a new musical breed ...
Davor Kajfeš: Dialogues With Scriabin

by James Pearse
You'd be forgiven for being unfamiliar with the work of Russian composer Alexander Scriabin (1872-1915) or, indeed, Croatian jazz pianist Davor Kajfeš. Sadly neither one has been widely heard outside of their respective--or adopted--countries to date. We can celebrate, then, that the release of Dialogues With Scriabin (Headspin Recordings, 2013) brings the music of these two ...
Edmar Castaneda: A World Of Music

by Ian Patterson
The harp may be the least common instrument in jazz/improvised music--even the humble kazoo gets more of a run out. Dating back over 5,000 years to ancient Mesopotamia, the harp in its various guises is common to nearly all cultures across the continents. Throughout Asia, Africa and Latin America the harp is an important element of ...
French New Wave (5-CD Box Set) Released On Jazz On Film Records

“Jazz was an integral part of the artistic scene that centred around the St-Germain-des-Pres. So it was only logical that the young, new wave directors made films by day using the same music they heard in the clubs at night.” Marcel Romano supervisor at Miles Davis’ Lift to the Scaffold studio recording, Dec. 1957) Jazzwise magazine ...
MJQ in Germany, 1956-58

Ten years after the end of World War II, Germany was still furiously rebuilding. Aided by American dollars, West Germany was eager to shore up its infrastructure and re-invent itself as a modern, democratic nation. The faster it was integrated into the West, the better its chances of staving off Soviet and East German influences and ...
Justin Morell: Justin Morell Dectet - Subjects and Compliments

by C. Michael Bailey
Guitarist Justin Morell has succumb to his inner conflict between jazz and classical musics and composed a dozen pieces bowing to each in what may best be considered a jazz suite. This is not Gunther Schuller's Third Stream" or the Modern Jazz Quartet's chamber jazz. It is a little bigger than that. Morell leads one of ...
Sligo Jazz Project 2013: Days 4-6

by Ian Patterson
Sligo Jazz ProjectVarious VenuesSligo, Ireland July 16-21, 2013 After three action-packed days at Sligo Jazz Project, with SJP founder/bassist Eddie Lee and drummer David Lyttle's world premiere of The Barinthus Suite providing an unforgettable highlight, the first signs of attrition amongst the students were beginning to show. The non-stop nature of ...