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Results for "Misha Mengelberg"
Frank Gratkowski, Simon Nabatov: Tender Mercies
by John Sharpe
This collection of seven duets from pianist Simon Nabatov and reedman Frank Gratkowski stands as one of those times when the late Misha Mengelberg's term “instant composition" for a series of seat-of-the-pants encounters makes absolute sense. Perhaps that should not be a surprise, considering the protagonists histories and shared base in the German city of Cologne. ...
Big M's Grab Bag
by Patrick Burnette
The theme this episode is--got ya!--there isn't a theme. What we do have are two mildly historical piano-led recordings by musicians who couldn't be more different if they tried, and two new releases by musicians also pulling in different directions. Get a large group together and go for eclecticism? Or just multi-track yourself and add a ...
Ada Rave / Aaron Lumley / Onno Govaert: Bioluminus
by Mark Corroto
We can no longer refer to the music and creative Amsterdam scene with the title coined by author Kevin Whitehead as the New Dutch Swing. His 1998 book of the same name described the origins of the free jazz movement in The Netherlands and its now legendary masters such as Misha Mengelberg, Willem Breuker, Han Bennink, ...
Vestard Shimkus / Endless Roar: Acclivity
by Vitalijus Gailius
Endless Roar is one of the most vivid bands in the recent Latvian improvised music scene. Formed in 2014 the trio, saxophonist Arvydas Kazlauskas, double bassist Stanislav Yudin and drummer Jachin Pousson, ventured through various genres (e.g. ambient, electroacoustic, rock etc.) before diving into free improvisation. In 2021 Endless Roar met up with internationally acclaimed classical ...
Michaël Attias, Simon Nabatov: Brooklyn Mischiefs
by Neri Pollastri
Registrato all'iBeam di Brooklyn il 6 luglio del 2014 e riemerso dagli archivi nel corso della pandemia, questo album documenta una fortunata serata di improvvisazione tra il pianista di origini moscovite Simon Nabatov e il sassofonista contralto israeliano Michaël Attias, un “primo incontro" tra due artisti usi a muoversi su territori accidentati e inesplorati.
Wadada Leo Smith: The Emerald Duets
by Karl Ackermann
The pioneering British photographer/author Val Wilmer said of Wadada Leo Smith, “he no longer relates to the restrictions of scales and chords. To him, music is about two things only: sound and rhythm." Her assessment, from the essential book As Serious As Your Life (Allison & Busby Ltd, 1977), was published in 1977. But in the ...
Mostly Other People Do The Killing: Disasters Vol. 1
by Jerome Wilson
Moppa Elliott's gonzo-surrealist jazz group, Mostly Other People Do The Killing, returns for a second album in its piano trio format with Elliott on bass, Ron Stabinsky on piano and Kevin Shea on drums. They are up to their usual tricks here, playing slapstick jazz which flits deliriously through all types of styles and sub-genres like ...
Bo Van de Graaf: Off the Record: Eccentric Music for Audio Hunters
by Karl Ackermann
ToonDist is a Netherlands-based consortium of small independent labels distributing the creative and improvised music of their country. Founded in 2002, ToonDist is often the point of departure for unknown labels such as No Can Do Music and Pingo, and emerging ones like TryTone and Evil Rabbit. The closest ToonDist comes to “convention" may be the ...
Bergamo Jazz 2021
by Libero Farnè
Bergamo Varie sedi 16—19.9.2021 Nel febbraio 2020 su questo sito apparve una bella ed esaustiva intervista a Maria Pia De Vito, in qualità di neo nominata alla direzione artistica di Bergamo Jazz, prima donna dopo oltre quaranta edizioni del festival. Fra l'altro, in quella circostanza si colse opportunamente l'occasione per disquisire sul ...
Marta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte
by Mark Corroto
Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that ...
