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Results for "Milt Jackson"
Ken Fowser & Behn Gillece: Little Echo
by Dan Bilawsky
Tenor saxophone and vibraphone frontlines--while not as commonplace as two horn teams--have their place in history. Lionel Hampton and Stan Getz had a marvelous meeting in the studio and Milt Jackson recorded with Sonny Rollins, Coleman Hawkins and John Coltrane, on different occasions. Bobby Hutcherson added to this legacy, working with Dexter Gordon and maintaining a ...
I Walked With Giants
by Russ Musto
I Walked with GiantsJimmy Heath/Joseph McLarenSoftcover; 344 pagesISBN: 1439901988Temple University Press2010 The title alone of Jimmy Heath's marvelous memoir speaks volumes about the man. The NEA Jazz Master is himself an acknowledged giant among his peers and his choice to name the book ...
Jazz Goes Green: Musical Explorations On A Secondary Color Of Note
by Dan Bilawsky
With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...
Mike Longo Trio: Sting Like A Bee
by Marcia Hillman
Sting Like A Bee is pianist Mike Longo's follow-up to his well-received Float Like A Butterfly (Consolidated Artists Productions, 2008). Bassist Bob Cranshaw and drummer Lewis Nash join him, and this CD is so laidback and relaxed that it comes as no surprise to read in the liner notes that there was no need to listen ...
The Wee Trio: Capitol Diner Vol. 2: Animal Style
by Mark F. Turner
Based loosely in New York, The Wee Trio's origins form a cross-section of the United States, with drummer Jared Schonig from Los Angeles, vibraphonist James Westfall living in New Orleans and bassist Dan Loomis hailing from St. Louis. Notwithstanding that there isn't an abundance of vibraphone-centered recordings such as Joe Locke's For the Love of You ...
Modern Jazz Quartet: 1963 Monterey Jazz Festival
by Graham L. Flanagan
For nearly half a century, the Modern Jazz Quartet (MJQ) endured as one of the most well-renowned ensembles in jazz. The original MJQ came together in 1946 as the rhythm section in Dizzy Gillespie's orchestra: Milt Jackson on vibes and John Lewis on piano, as well as bassist Ray Brown and drummer Kenny Clarke. Brown and ...
Robin D.G. Kelley on Thelonious Monk: The Man, the Myth, the Music
by Victor L. Schermer
Robin D.G. Kelley is the author of Thelonious Monk: The Life and Times of an American Original (Free Press, 2009), the already definitive biography that has received rave reviews in the press and is the topic of conversation of Monk fans and musicians everywhere. Kelley offers the rich perspective of an African-American historian ...
Vibraphonist Joe Locke Interviewed at AAJ...And More!
Vibraphonist Joe Locke has been on an upward trajectory since the beginning of his career, but especially over the last decade, where he's led/co-led a number of fine groups ranging from the intimate chamber jazz of his duo with pianist Frank Kimbrough and straight-ahead swing of his Milt Jackson tribute band to the electrified near-fusion of ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
Mike Longo Trio: Sting Like a Bee
by Jack Bowers
Mike Longo, who studied piano with Oscar Peterson and served for a number of years as Dizzy Gillespie's pianist and music director, brings that experience and more to Sting Like a Bee, the follow-up to his well-received trio session from 2007, Float Like a Butterfly (Consolidated Artists Productions). While there's a different backup crew this time, ...
