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Albert Ayler Quartet with Don Cherry: European Recordings Autumn 1964 Revisited
by Chris May
Many attempts have been made to locate the source of tenor saxophonist Albert Ayler's muse in American history and culture. Among the less outlandish suggestions are the field hollers of slaves toiling on Southern plantations and the Pentecostal church's tradition of talking in tongues. Given the importance Ayler's parents placed on him attending church as a ...
Erroll Garner: 100th Birthday Anniversary Of The Immortal Swinging Maestro Of Jazz Piano
by Doug Hall
The hundredth birthday of the legendary and brilliant virtuoso Erroll Garner is being marked by tributes including The Erroll Garner Project, which has released additional recordings and a remastering of existing recordings by the swing maestro of jazz piano. His popularity as an in-demand international performer and his landmark record Concert by the Sea (Columbia, 1955) ...
Miles Davis: Will You Still Be Mine?
Written by Matt Dennis and Tom Adair, Will You Still Be Mine? was first recorded by Tommy Dorsey and His Orchestra in February 1941, with an arrangement by Axel Stordahl and a vocal refrain by Connie Haines. There were roughly seven version between Dorsey and Miles Davis in 1955. Davis's rendition appeared on Musings of Miles ...
Ulysses Owens: Big Band, Big Sound
by R.J. DeLuke
Some jazz drummers, as remarkable as they may be and as successful as their careers are, just aren't suited to drive a big band. It's not for every percussionist. But every big band needs a good one or the effort will fall short. A ship needs a rudder. Ulysses Owens Jr., who started beating out rhythms ...
Franco Ambrosetti: Lost Within You
by Chris M. Slawecki
Lost Within You is a masterpiece of smoldering passion and beauty ignited by the exquisite trumpet and flugelhorn melodies of Franco Ambrosetti. Ambrosetti assembled an enviable ensemble: bassist Scott Colley and drummer Jack DeJohnette in the rhythm section, plus guitarist John Scofield, and Renee Rosnes and Uri Caine switching turns as pianist. But the ...
José Lencastre / Jorge Nuno / Felipe Zenícola / João Valinho: Anthropic Neglect
by Mark Corroto
Shall we choose a name for the quartet behind the release Anthropic Neglect? The four Portuguese musicians—saxophonist José Lencastre, guitarist Jorge Nuno, bassist Felipe Zenícola, and drummer João Valinho— might best operate under the moniker Lava Dome. The sounds created here are not unlike the molten and semifluid volcanic rock that simmers and seethes, constantly threatening ...
Beneath Missouri Skies: Pat Metheny in Kansas City 1964-1972
by Kyle Simpler
Beneath Missouri Skies: Pat Metheny in Kansas City 1964-1972 Carolyn Glenn Brewer 266 Pages ISBN: # 978-1-57441-823-1 University of North Texas Press 2021 Although Pat Metheny is in many aspects a global citizen, he is first and foremost a native of Missouri. His midwestern-American background and influences appear in ...
Harold Land: Westward Bound!
by Pierre Giroux
Until 1954 Harold Land was a relatively unknown tenor saxophonist. He experienced a surge in his standing with the release of Clifford Brown & Max Roach (Emarcy 1954) when he was part of this high-profile, but short lived, bebop quintet (1954-56). A decade later, this hard-bop player was recognized for his engaging ideas and robust tone ...
Miles Davis, Bill Laswell, John McLaughlin, Bob Berg, Kai Eckhardt and more
by Len Davis
On today's program we feature music from a live concert from Warsaw with Miles Davis, Jack DeJohnette, plus John McLaughlin and Jimmy Herring from a live concert in San Francisco and Larry Coryell, Victor Bailey and Lenny White. Playlist Miles Davis “Hopscotch" from Live in Poland Warsaw 1983 (Gambit) 00:00 Jack DeJohnette “Miles" from ...
Francesco Beccaro e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Alto tasso di energia, intensa, con molta improvvisazione ma anche con strutture compositive articolate. Una sorta di inedita fusion, distante dallo stereotipo generale, caratterizzata da un suono a volte volutamente grezzo ma sempre energico e suggestivo. Ogni composizione cerca di essere un messaggio chiaro e punta a coinvolgere l'ascoltatore ...
